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Furt: Omnium

by John Eyles
Live in concert, laptopists (is that a word?) can be a rather boring spectacle; it is frequently so difficult to see or understand what they are doing that they might as well be playing pre-recorded music while spending the concert shopping online or checking their email.
Furt is definitely an exception to that generalisation; although it remains almost impossible to know exactly what these two players are doing, they throw themselves into their work in concert, presenting an animated and ...
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by Nic Jones
Some times the real issues are the ends, and the means they're reached with, as much as anything else. Richard Barrett and Paul Obermeyer, together known as Furt, employ nothing in the way of conventional instrumentation to realise these soundscapes, which are as much about discontinuity as its opposite, and the resulting music can only be dealt with on its own terms. This in itself involves the suspension of many of the usual criteria by which music can be measured. ...
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