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Miguel Angelo
Miguel Ângelo began his musical journey at age 10 with Tuna Musical de Fiães, where he studied music theory, guitar, and later double bass. In the 1980s, he ventured into rock music, playing bass guitar with the band Curtes Baldei-me. Years later, he resumed his musical education at the Porto Jazz School, studying electric bass under Professor Alberto Jorge. Although rock initially captured his artistic interest, jazz ultimately became his true passion. Under the guidance of double bassist Alberto Jorge and pianist Paulo Gomes, he deepened his studies in double bass and combo performance at the Porto Jazz School in the late 1990s. He later worked with bassist Pedro Barreiros and received support from double bassist António Augusto Aguiar. Miguel also pursued formal music training up to the 5th grade with professors Alexander Worf and Joel Silva at the Academia de Paços de Brandão and later at Santa Maria da Feira. After earning a degree in Informatics and Applied Mathematics from Universidade Portucalense, he returned to higher education in 2004 to study double bass.
In 2008, Miguel completed his degree in Double Bass and Jazz at the Superior School of Music and Performing Arts (ESMAE), where he collaborated with notable musicians such as António Augusto Aguiar, Damien Cabaud, Carlos Bica, Zé Eduardo, Michael Lauren, Nuno Ferreira, Carlos Azevedo, Pedro Guedes, and Telmo Marques. He also participated in workshops with prominent artists, including double bassist Carlos Bica, Zé Eduardo, Thomas Morgan, and Dan Weiss.
In 2013, Miguel released his debut album as a leader and composer, BRANCO (Porta-Jazz), which earned support from the GDA Foundation for its tour and performances. In 2014, the debut album of Ensemble Super Moderne, which he co-led and recorded, was hailed by critics as the best jazz album of the year.
In 2016, he released his second album, A Vida de X (Porta-Jazz), featuring his regular quartet: Joaquim Rodrigues on piano, João Guimarães on saxophone, and Marcos Cavaleiro on drums. The album was praised by Jazz.pt magazine, critic Phil Barnes in All About Jazz, and several national critics as one of the best jazz albums of 2016.
In 2017, Miguel released his solo album I Think I’m Going to Eat Dessert (Creative Sources). In 2019, he launched the Miguel Ângelo Utopia Project (MAU) with Miguel Moreira on guitar and Mário Costa on drums, releasing their debut album Utopia (Porta-Jazz) that same year.
Miguel has had the privilege of performing with numerous national and international musicians, including Chris Cheek (with whom he recorded MAP + Chris Cheek), Ohad Talmor, Dan Weiss, Frank Vanagee, and Virxílio Silva, among others. In 2020, he received support from the GDA Foundation to record and produce the album Dança dos Desastrados.
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Miguel Ângelo Trio: Distopia

by Andrew Hunter
Portuguese double-bassist Miguel Ângelo is a busy guy. He leads a quartet, with which he has released three records, as well as the trio he appears with here. He is also a member of several other small groups and has, fairly uniquely, released a record of solo double bass--the splendidly titled I Think I'm Going To Eat Dessert (Creative Sources Recordings, 2017). It is more engaging that you might imagine and establishes beyond doubt that we are hanging with a ...
Continue ReadingMazam: Pilgrimage

by Mark Corroto
The format of Pilgrimage by the Portuguese quartet Mazam gives listeners the option of skipping any track they do not enjoy. The ensemble gives us fifteen shortish pieces (only three longer than five minutes) to sample, digest, and savor. This is the quartet's second release following Land (Carimbo Porta-Jazz, 2020). The musicians come together with experience in other influential groups. Saxophonist João Mortágua performs in the fusion ensemble Axes, Diogo Alexandre Bock Ensemble, and leads his own band. Pianist Carlos ...
Continue ReadingMAU: Utopia

by Friedrich Kunzmann
The letters spelling out Utopia are obscured by clouds on the cover of the debut record by the Portuguese Trio MAU, confirming that the idea of a Utopia is exactly that, merely an idea, a fictional place where something reminiscent of perfect is attained. Double bassist Miguel Angelo is the leader of this group, and its first offering is named after the politically perfectly-balanced island the English philosopher Thomas More made up in the 16th century. Arguably, the most important ...
Continue ReadingMiguel Angelo: I Think I'm Going To Eat Dessert

by Jerome Wilson
Miguel Angelo is a Portuguese bassist whose main occupation is keeping the beat going for other musicians in various groups. If playing in bands is his bread and butter" job, then it follows that a solo bass recording would be his dessert."For most of this effort, Angelo plucks and bows with a deep, resonant tone that has little embellishment. He presents a rich and profound pizzicato sound on pieces such as I have a dream," Never and never ...
Continue ReadingMiguel Angelo: I Think I’m Going To Eat Dessert

by Troy Dostert
In addition to his numerous sideman appearances, Portuguese bassist Miguel Ângelo has released a couple quartet albums under his own name: Branco (2013) and A Vida de X (2016), both of which possess a strong tuneful vitality. Although the format is very different, Ângelo's decision to release a solo-bass recording this time around does make sense, as it's characterized by the prominent melodies and emotionally resonant playing found in abundance on those previous albums. From the first moments ...
Continue ReadingMiguel Angelo: I Think I’m Going To Eat Dessert

by Mark Corroto
We can all agree that music is perceived and enjoyed through the sensory faculty known as hearing. Certainly, but a musical performance is enhanced when an additional sense is summoned, like the visual when attending a production. In the case of this solo performance by bassist Miguel Ângelo, that additional sense is touch. With I Think I'm Going To Eat Dessert, sound is just one element that is shared equally with the sensation of touch. Ângelo can be ...
Continue ReadingMiguel Angelo Quartet: Miguel Angelo Quarteto: A Vida de X

by Phil Barnes
Neither life nor jazz is simple or linear. On any given event there are multiple possible interpretations and perspectives--some will stand up to scrutiny others will not. At its most extreme there is the entitled trickster who shouts of their integrity even as they rob you in their consummate selfishness, but sometimes it is just that our accumulated experiences show different angles on the same basic events. Our finest jazz musicians can offer startling perspectives on familiar material, yet some ...
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Hindrances
From: HindrancesBy Miguel Angelo