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Michel Sajrawy
Michel Sajrawy is a guitarist, composer and producer from Nazareth, Israel, whose distinctive musical language brings together Middle Eastern Music, jazz, fusion and contemporary sounds. His work explores the meeting point between the modal traditions and melodic character of Middle Eastern Music and the harmonic, rhythmic and improvisational language of jazz.
A central element of Sajrawy’s music is his innovative approach to performing quarter tones on the fretted electric guitar. Rather than adding extra frets or using a fretless instrument, he developed his own technique of producing quarter-tone intervals through controlled string bending. This allows him to preserve the freedom of the conventional guitar for jazz chords, lines and improvisation while incorporating the microtonal language of Middle Eastern Music. The technique gives his playing a distinctive expressive quality, combining the nuances of Middle Eastern melodic tradition with the character and flexibility of the electric guitar.
Born and raised in Nazareth, Sajrawy began playing guitar at the age of nine. His musical journey has developed across both technology and music. Between 1990 and 1993 he studied Electronic Engineering, earning a diploma before moving to London in 1995. There he completed a one-year diploma at the Musicians’ Institute – Guitar Institute of Technology (G.I.T.). In 1996 he began a three-year degree in Music Composition at the London College of Music, studying composition under composer Adam Gorb. Between 1999 and 2000 he continued his studies in Film and Television Scoring with Adam Gorb and composer Nigel Clark, completing a Master’s degree in Film and Television Scoring.
In 2000 Sajrawy returned to Nazareth and founded Dasam Studio, where he works as a producer, recording engineer and musician. The studio has become an important part of his creative activity, providing a base for his own recordings as well as productions and collaborations with other musicians.
As a bandleader and recording artist, Sajrawy has released six albums:
Yathrib — Ozella Music, 2006
Writings on the Wall — Ozella Music, 2009
Arabop — Ozella Music / Dasam Studio, 2012
Floating City — Hevhetia, 2016
Soul Fingers — Dasam Studio, 2019
Musical Crime — Dasam Studio, 2026
His debut album, Yathrib, established his distinctive approach to combining Middle Eastern Music with contemporary jazz, fusion and rhythmic traditions. Writings on the Wall developed this language further, while Arabop expanded his exploration of the meeting point between Middle Eastern musical traditions and contemporary jazz and fusion.
His subsequent releases reveal different dimensions of his musical identity. Floating City continued his exploration of contemporary jazz and cross-cultural musical language, while Soul Fingers presented a more intimate, melodic and soulful side of his guitar playing through a collection of solo guitar performances. His latest release, Musical Crime (2026), is an instrumental contemporary jazz project that brings together sophisticated jazz language, rhythmic energy, melodic expression and Sajrawy’s distinctive guitar sound.
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Michel Sajrawy: Floating City
by James Nadal
In his ongoing quest to create a singular jazz alignment bridging traditional and contemporary music of his homeland, Israeli guitarist Michel Sajrawy explores the multicultural background of the city of Nazareth, in Floating City. Though Jerusalem gets all the headlines and global attention, Nazareth stands apart as a city epitomizing co-existence in a region ravaged by religious strife, and turmoil. With his previous releases exposing a western slant on Arabic maqam music, this record has Sajrawy burrowing into ...
Continue Reading...Michel Sajrawy: Arabop
by James Nadal
Arabian music is distinguished by its historical documentation as far back as the seventh century. If performed and heard today, it is readily identifiable for its distinct configuration or format, based on maqamat (modes) and jins (sets of notes), which provide its unique ethnic sound. Enter into this equation guitarist Michel Sajrawy, who catapults Arabian-derived music into the stratosphere with Arabop. He has perfected his ability to perform exotic arrangements on his trusted Fender Stratocaster by bending and coercing his ...
Continue Reading...Arab-Jazz Merger of Guitarist Michel Sajrawy Dances on "Arabop"
Source:
Chris M. Slawecki
Palestinian guitarist Michel Sajrawy was shredding in a Nazareth basement with his buddies when he found the answer: a guitar technique that let him play both Arab and Western melodies with perfect flexibility. “Suddenly I came up with a maqam-based solo, in the middle of a rock song,” Sajrawy recalls. “My musician friends were fighting me, shouting, ‘It’s maqam! You should play traditional rock!’ I have a unique way that makes me produce these sounds on ordinary guitar, with total ...
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An incredible combination of European and fusion jazz-rock music traditions of the Far East. Such vivid and organic linking two completely different worlds in absolutely original and perfect processing occurs rarely! ...Jazz-rock language and phrasing has a very virtuoso level. Skjazz.sk
Sajrawy lies the magic of music in the rotation of the different styles of guitar and its insertion into different contexts. Magazinuni.cz
Paper review in Slovakian. Pavel Visek
"Floating City" is a very communicative album, it's vitality magnet capable of attracting daily customers that like any other kind of music. Robert Ratajczak, longplayrecenzje.blox.pl
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Music
Bride Of The Galilee
From: Writings On The WallBy Michel Sajrawy


