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Ivan Mazuze
Ivan Mazuze is a Norway-based composer, award-winning saxophonist and world jazz artist of Mozambique origin. Mazuze initiated his studies in music in 1987 at the National Music School in his home country Mozambique. Piano was his first instrument and after seven years of classical piano training, he joined the woodwind section with a jazz study approach and a focus on improvisation. Mazuze continued his studies at the University of Cape Town, South Africa in the Department of Jazz and Musicology. He holds an honors degree in jazz and composition studies and is a master's graduate in ethnomusicology. He writes ethnomusicological articles about music and trance in ritual practices which have been released in the educational magazine The Talking Drum.
From the start, Mazuze had a clear vision of what he had to do to reveal himself as a solo artist in the music industry. In 2002 he won the Old Mutual Jazz Competition in the category of Composition in Cape Town, South Africa. He realized that educating himself and mastering his instruments were not enough, so while studying he set up his own production and publishing company Imazuze Music to handle the business side of his career. As with all aspiring musicians at a young age, Mazuze dreamt of the day when he would record his own music. For this disciplined musician, the dream became a goal, the goal became part of his ambition and the result was his debut album Maganda in 2009. Maganda is a reflection of Mazuze’s musical journey and experiences in jazz and African "worlds" of music. Maganda was nominated for the following categories and awards:
- Best Afro World Group, Oslo World Music Festival 2009.
- Best Contemporary Jazz Album, SAMA Awards 2010 (South African Music Awards).
- Best Afro Jazz Album and Jazz/Instrumental Album, Mozambique Music Awards 2010.
- Recommended Best Newcomer and Saxophonist of 2010, African Jazz Network.
In 2012 Mazuze released the album Ndzuti (2012) which means “shadow” in the ancient language of Xichangana of southern Mozambique. The music on Ndzuti has elements from both southern and West African traditions with jazz-based structures. Ndzuti was chosen as a recommended album at African Jazz Network 2012 and as one of the key albums of 2012 by Music Information Center Norway (MIC) in 2012. Ndzuti one of the 10 Best Albums of 2012 in Songlines Magazine.
Mazuze released his third album Ubuntu (2015), a highly acclaimed album among the Nordic media critics. The album features Norwegian and South African-based musicians. In 2016 Ubuntu was chosen to be part of the compilation album JAZZCD.no 7th Edition in Norway. This compilation gives a good picture of the Norwegian jazz scene today, ranging from mainstream to more modern forms, including what has come to be known as the Nordic sound. JAZZCD.no 7th Edition shows the variety, the versatility and the quality of jazz in Norway today.
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Ivan Mazuze: Moya

by Anya Wassenberg
Contemporary Western jazz idioms blend seamlessly with influences that span the globe on Moya by Mozambican-Norwegian multi-instrumentalist and composer Ivan Mazuze. With a cast of collaborators specialized in a range of musical traditions, the results are multi-layered--offering both the familiar and the unfamiliar. Mazuze's playing is expressive; tone is given as much importance as virtuosity and speed. He composes all the tracks on the release, musically based on elements of various African and Indian musical traditions, with the ...
Continue ReadingPresenting The New Album 'Penuka' From Ivan Mazuze: A Contemporary Jazz Exploration Of Arab And Indian Cultures And Its Influences On African Traditional Music

Source:
Vivo Musique Internationale
And Official Penuka Album Release Celebration & Launch Concert At the Renowned Cosmopolite Scene in Oslo, Norway on 11th October 2024. The acclaimed Mozambican, Norway-based saxophonist and composer Ivan Mazuze breaks new ground with his latest album Penuka, where he delves into the profound influence of Arab and Indian cultures on African traditional music presented through a contemporary jazz lens. The music is a testament to the centuries-old cultural exchanges facilitated by trade routes across the African continent. Mazuze’s deep ...
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“Ivan Mazuze pushes the boundaries of contemporary jazz to include a variety of influences and sounds beyond its usual borders. Assured and virtuosic playing by Mazuze and his collaborators pull it all together into a kind of global musical language with an accessible and melodic appeal.” —Anya Wassenberg, All About Jazz
"...a sophisticated mastery of song forms which put simple, elegant harmonies over shifting rhythmic patterns... If anything, his compositions have become even more engaging on this outing; indeed, he manages the difficult act of balancing complex rhythmic and harmonic ideas with immediately accessible melodies" —Chris Baber, Jazzviews - UK