The craft of composition has been a part of Guillermo Klein’s life since his childhood in Argentina. Klein’s father presented him with a piano when he turned 11 years old and, inspired by the legendary Argentinean composer Astor Piazzolla, he promptly began his experimentation with writing songs.
Klein left Argentina to attend Berklee College of Music after hearing a moving speech by the former dean Gary Burton about his relationship working with Piazzolla. Klein intended to study classical music on his arrival but found himself among peers that were passionate about jazz.
The music of Wayne Shorter provided the bridge from classical to jazz studies. Being a fan of unique harmonic expression, Klein was easily drawn to the work of this master composer who is deemed to be one of the most intriguing harmonic architects in jazz. Klein was also able to develop a talented network of musical friends, many of which came to Berklee from South America. This group of colleagues provided the framework for what would eventually become Klein’s main musical voice, the Big Van large ensemble that would later become Los Guachos.
After graduating from Berklee, Klein moved to New York City like many of his fellow graduates. He settled into Greenwich Village and quickly became associated with a jazz club called Smalls where he established a weekly engagement with his 17-piece Big Van band that incorporated musicians living in New York as well as commuters from Boston
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There are many memorable individual efforts, but the accent is unmistakably on the orchestra as a whole, which fully realizes its role through Klein's ingenious use of music and interpretation to capture one's imagination. - Mark F. Turner, All About Jazz
Some albums are simply a collection of discrete songs; others are broader works where the whole is truly greater than the sum of its parts. With Una Nave, Argentinean pianist Guillermo Klein has created a boldly sweeping album that transcends its individual components. While these sixteen pieces can be assessed in terms of stylistic roots, specific performances, and compositional élan, these considerations are really secondary to the greater impact they have when experienced as a 66-minute whole. - John Kelman, All About Jazz
...this is the rare CD where plentiful musical variety only gives an impression of hungry and far-reaching giftednessnot arrogant hubris or lack of focus. - Paul Olson, All About Jazz