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Giacomo Gates

“Mr. Gates is a solid example of a performer who is doing something that no one else does. He evokes an age (that I would hope is not so terribly bygone) when musicians were entertainers and entertainers were musicians, and a sense of humor was as important as a sense of rhythm.” — Will Friedwald

Giacomo Gates does more than sing “a bunch of songs.” He is truly an entertainer, for all ages and styles, as audiences enjoy the music, the interaction on the bandstand between him and his musicians, the spontaneity, the humor, the stories about the music and composers, along with their relation to everyday life. People are smiling, having a good time, while thoroughly enjoying the music. What usually lacks in most of today’s performances is obviously present … fun!

The criteria for defining jazz singing will probably be argued for the rest of time. But no matter which side of the argument one may be on, there can be no doubt that Giacomo Gates is an authentic jazz vocalist. Heavily steeped in the traditions of the original vocal improvisers from Louis Armstrong and Ella Fitzgerald through their modern counterparts Betty Carter and Leon Thomas, Giacomo’s own approach draws most heavily from the bebop-rooted masters like Jon Hendricks, Babs Gonzales, King Pleasure and most of all, Eddie Jefferson. Like his influences, Gates has forged his own unique path.

In his own words, “In this kind of music it’s about intention, honesty and what comes through in your voice – the Experience of Life.” Without question, Giacomo’s life experience is unlike any other jazz artist that may come to mind. Blessed with a full-bodied and mellifluous voice, extraordinary rhythmic precision and an unerring sense of lyricism, Gates’ total command of the vernacular, boundless creativity and exuberant passion set him apart from nearly every other vocalist on the scene. However, he didn’t display his talents to the public-at-large until 1990, at 40 years of age. Prior to that, Gates led the life of a hardworking blue collar ‘man’s man.’ After a number of years driving everything from school buses to cattle transporters to 18-wheelers, Giacomo departed for the Alaskan wilderness in 1975, working for 14 years in a variety of jobs, including three years on the Alaska Pipeline. Whether he was doing road construction, operating scrapers, loaders and bulldozers, or driving spikes into railway tracks in the flatland emptiness of the tundra with no directional guides other than a compass and the sky, Gates found these experiences to be powerful stimulation for developing his own artistic expression.

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What is it that separates a “jazz singer” from the wannabes? While many people are known as or call themselves jazz singers, only a handful truly merit the name. Giacomo Gates, whose latest album What Time Is It? is his seventh (and fourth for Savant Records), is one of the chosen few. Why? Well, as the saying goes, if you have to ask . . . Jack Bowers, All About Jazz

Giacomo Gates digs interesting songs that, more often than not, have a clever twist to them. What he delivers—and what you hear—is not always what you expect. - Ken Frankling

Gates still doesn't get the attention, even within our insular jazz world, that I think he deserves

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Primary Instrument

Voice / vocals

Location

New York City

Willing to teach

Advanced only

Photos

Concert Schedule

Albums

YOU

Savant Records
2022

buy

G8S

9th Note Records
2018

buy

What Time Is It?

Savant Records
2017

buy

Everything Is Cool

Savant Records
2015

buy

The Revolution Will...

Savant Records
2011

buy

Luminosity

DoubleDave Music
2008

buy

The Nearness of You

From: YOU
By Giacomo Gates

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