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Dan Berg & The Gestalt: Manifesto

by Dan Bilawsky
The idea of creation through inclusion seems to be lost on a lot of musicians today. Jazz--like every other area of music--has become highly compartmentalized. A need to place oneself as a direct descendant of a particular artist or style often limits horizon-expanding opportunities and results in stunted creativity. Pianist/composer Dan Berg and his band, The Gestalt, seems to see things differently, with open arms and an open mind. Berg's debut album, or Manifesto, if you will, is a bold ...
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by Karl Ackermann
Manifesto, the debut release from Dan Berg & The Gestalt, may be one of 2010's best recordings. The composer/keyboardist--a Brooklyn native and former student of reed man Marty Ehrlich--has created a smart, versatile and accessible collection that bridges genres and techniques, while remaining at home in the jazz idiom. With touches of Tin Hat Trio, bits of rock, Latin and the occasional operatic vocal, Manifesto has a broad appeal that fits contentedly within the overall scheme of the collection. Berg's ...
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