At the same time, Sheppard was building an impressive reputation internationally. His band toured throughout Europe and to Canada - and pulled off a unique coup by being the first Western jazz group to play in Outer Mongolia.
During 1987, he joined George Russell's Living Time Orchestra as featured saxophone soloist and also toured with the legendary Gil Evans. Andy remains one of very few soloists to have played in the big bands of all three of the greatest post-war jazz composers - Evans, Russell and Carla Bley, and continues to tour and record with the latter two.
In 1990 Sheppard formed his Soft On The Inside Big Band, which was carefully assembled to include the diverse talents of Han Bennink and Ernst Reisjeger, Gary Valente, and several luminaries of the London scene Claude Deppa, Chris Biscoe and Orphy Robinson among them. The band produced an album and video, and toured extensively in the UK and Europe. The album was credited as one of the finest releases of the year in Q, The Daily Mail and The Guardian. The project confirmed Sheppard's growing status as a composer.
After Sheppard's original acoustic group had run its course, he looked towards a punchier, electronic sound for his next move. The result was In Co-Motion, a band including the trumpeter Claude Deppa and Steve Lodder on keyboards, drummer Dave Adams and electric bassist Sylvan Richardson (once guitarist with Simply Red). The music was a potent mix of funk and rock grooves, complex ensemble lines, and solos that moved from lyrical ballad passages to exciting free jazz. An In Co-Motion album followed in the autumn of 1991. In Co-Motion toured throughout the world, often for the British Council, playing throughout Europe, in the USA, Venezuela, Colombia, Ecuador, Nigeria, and a memorable trip to South Africa.
In Co-Motion also featured on Andy's first recording for Blue Note, Rhythm Method, in 1993. An expanded band, almost inevitably called Big Co-Motion, added five horn players, including the ebullient Gary Valente. Big Co-Motion recorded a fine live album at Ronnie Scott's, Delivery Suite, also released on Blue Note in 1994, followed by an extensive UK tour.
Andy also formed a trio, Inclassificable, again with Steve Lodder and the brilliant Brazilian percussionist Nana Vasconcelos. They devised the music for the award winning dance piece Modern Living, choreographed by Jonathan Lunn. Inclassificable also played at major festivals in Macedonia, Austria, Norway, Istanbul and London and released a self-titled album on French label, Label Bleu in 1995.
Sheppard's writing talents have become increasingly in demand over the years. He has been invited to write music for big band - working with the renowned UMO Orchestra in Finland, in a special project with the Bergen Big Band, and with the Voice of the North band in the UK; and he composed a chamber piece for pianist Joanna MacGregor, premiered at the Salisbury Festival in 1998 by Bournemouth Sinfonietta. He has written music for theatre (Bristol Theatre Royal's production of Arthur Miller's first play, The Man Who Had All the Luck); dance (including the afore-mentioned Modern Living); radio and TV. His TV credits include original music commissioned for the BBC Omnibus documentary about ice dancers Torvill and Dean; the Oscar-nominated Channel 4 short Syrup; HTV's documentary on the life of 18th century black violinist Joseph Emidy;and BBC2 Arena documentary series about Peter Sellers.
Sheppard formed a quartet with long-term writing partner Steve Lodder to record the music for the latter two TV shows, subsequently released as a CD for Verve. This group, featuring bassist Dudley Philips and powerhouse drummer Mark Mondesir, toured internationally, and re-forms occasionally, most recently for a season at Ronnie Scotts in February 2000.
Often described as a serial collaborator, Sheppard has worked with an astonishing range of musical partners. As well as Carla Bley, George Russell and Gil Evans, he has played with Indian violinist Shankar; Brazilian percussionist Nana Vasconcelos; with percussionists from Malaysia, India and Singapore (as a featured soloist at the 1997 Princes Trust concert for the Commonwealth Heads of Government Conference in Edinburgh); with organist Barbara Dennerlein, Danish pianist Maj-Britt Kramer and French bassist Michel Benita; with violinist and string quartet leader Alex Balanescu, improvising pianist Keith Tippett, Dutch cellist Ernst Reijseger, and Austrian composer Michael Mantler. An invitation to take part in a month-long residency as part of Copenhagen's City of Culture year, enabled him to play with a number of leading Danish musicians, alongside workshop and teaching activity - and in 1997, he undertook a two month educational residency at the Turner Sims Concert Hall in Southampton. A further education project involved a year-long residency with St. Laurence School, Bradford-on-Avon. He has also worked often with classical saxophonist John Harle, in the trio Twentieth Century Saxophones, and as featured soloist in Harle's recording and touring project Terror and Magnificence, alongside Elvis Costello and soprano Sarah Leonard. Sheppard and Harle have also worked together on a film and music project with composer Will Gregory.
Andy can also be found on an equally eclectic range of recordings - as well as featuring on CDs with Carla Bley and George Russell, he has played on sessions with dub poet Benjamin Zephaniah, John Martyn, Baaba Maal, Basia, Nigel Kennedy, Bristol indie band Blue Aeroplanes - and he even turned up on a tribute album to the New York Dolls.
In 1998 Sheppard took the decision to sign to independent label Provocateur Records. He formed a new sextet, with a fresh and individual sound based around his gift for subtly melodic themes and a fascination with rhythms from Africa, South America and Asia. The group recorded two highly rated CDs, Learning To Wave and Dancing Man and Woman, which added Steve Swallow's electric bass and to the band's regular line-up of Steve Lodder, guitarist John Parricelli, bassist Chris Laurence and percussionist Paul Clarvis, and tabla player Kuljit Bhamra. The music was commissioned by the arts programme at Canary Wharf, and received a UK live premiere in April 2000 with performances in Bristol, London and Newcastle, followed by a short tour of Turkey.
Sheppard continued to perform this music throughout 2000 - whether in quintet or sextet form, or with the acoustic trio he formed with Lodder and Laurence.
Other activity in 2000 included an October residency in Bologna, one of the millennium Cities of Culture; an Autumn European tour with Carla Bley's new eight-piece band; and more live work with Maj-Britt Kramer and the French pianist Jean-Marie Machado.
Two other projects pointed toward yet another new directions - a solo performance with live saxophone and electronics was commissioned by the Maison de la Culture in Amiens and performed there in December 1999. Then, at the end of 1999, Sheppard connected with trumpeter Claude Deppa and DJs Rita Ray and Max Reinhardt, for a short tour commissioned by the Serious Sampler series. The work that developed through these projects led to his most recent recording, Nocturnal Tourist, released in March 2002. Built around his growing interest in new music technologies and the grooves of club culture, the record is something of a tour-de-force, inspired by his travels around the world - a heady mix of ambient electronic soundscapes, fragments of spoken word and sampled urban sounds, topped by Andy's unmistakeable saxophones.
He also received a landmark commission from The Sage, Gateshead, to write and record music for the Gateshead Millennium Bridge project, which opened to the public on 17 September 2001. For the project Sheppard collaborated with the renowned Northumbrian pipes player Kathryn Tickell, and the first performance, played live on the spectacular setting of bridge itself, also featured the Northern Sinfonia. During the past year, Andy has toured the live version of Nocturnal Tourist, as a duo with drummers Stephane San Juan or Mark Mondesir; and as guest soloist with Jean-Marie Machado, Maj-Britt Kramer and Carla Bley, touring throughout Europe and the Far East. He has also toured and recorded with the brilliant Italian pianist Rita Marcotulli. All these projects will continue into 2003, and he is also due to tour again with George Russell, in celebration of the composer's 80th birthday.
Sheppard's priority for 2003, however, will focus around a new recording with guitarist John Parricelli, following the tremendous response to a short residency at the Pizza Express Jazz Club in September 2002. The record will be released on Provocateur in March. He is also working on a major commission - Cityscapes - with Joanna Macgregor, for the 2003 City of London Festival. Show less
