In 2011, Milne composed, performed and produced the score to William Shatner’s documentary film, The Captains. The relationship led to Milne scoring six subsequent Star Trek-themed films directed by Shatner. In addition to appearing in one of the films, Milne released The Captains soundtrack CD in partnership with Shatner and was a featured performer at numerous Star Trek conventions with actor/singer Avery Brooks. During this period, Milne attended the Jazz Composers Orchestra Institute at UCLA under the direction of George Lewis, and in 2013 was invited to compose for the American Composers Orchestra’s JCOI New Music Readings.
Milne’s early Dapp Theory recordings helped forge a foundation for the creative diversity he would explore in subsequent projects. Forming Dapp Theory in 1998, Milne cited his desire to “tell passionate stories, promote peace and inspire collective responsibility towards uplifting the human spiritual condition.” Milne used rhythm to bend listeners’ minds and bodies, mixed R&B, jazz, rock, pop and hip-hop influences, and incorporated free-style and composed lyrics to promote a profound sense of social commentary within the music. One of the most compelling expressions of these ingredients was Milne’s ambitious collaboration with Canadian folk-rock icon Bruce Cockburn on the 2003 Concord Records release, Y’all Just Don’t Know.
In 2008, Milne was awarded the French-America Jazz Exchange from Chamber Music America and formed Crystal Magnets, a duo piano collaboration with French pianist Benoît Delbecq. Inspired by the 5.0 surround sound format, Milne set out to compose for the medium and record in harmony with that environment. During their recording residency at The Banff Centre, Milne and Delbecq exploited the unique potential for placing specific compositional elements in distinct regions of the surround sound mix. In 2009, Songlines Recordings released Where is Pannonica?, which The New York Times lauded as a “strangely beautiful new album” from two “resourcefully contemporary pianists, both drawn to quixotic interrogations of harmony and timbre.”
Milne released two unique piano recordings in 2007. Both CDs received wide critical acclaim, presenting complementary reflections of his questing musical personality. Dreams and False Alarms [SongLines] features deeply considered re-workings of long-remembered pop/rock/folk/reggae classics, reaffirming and expanding Milne’s creative process as a jazz improviser. Scenarios [Obliqsound] presents a more textural, almost cinematic series of intimate duo encounters with harmonica virtuoso Grégoire Maret. Their duo developed naturally during Maret’s four years as a member of Dapp Theory. Also in 2007, Milne collaborated with tap dancer/choreographer Heather Cornell to create Finding Synesthesia, which premiered that year at the London Jazz Festival. Together they combined a wide and unexpected range of sounds and influences, integrally weaving tap into the texture and sound of the orchestration.