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Recorded May 21, 1963, this two-disc reissue represents classic Monk. Adventurous in his creative interplay with Charlie Rouse, Thelonious Monk wove lines that turned unexpectedly time and again. On his way to worldwide acclaim, Monk was already there musically. The 24-bit digitally remastered sound on this collection brings every nuance to the listener: clear as a bell and exciting. With walking bass and a swinging drummer, Monk and Rouse roll through familiar songs.
As they chase each other through "Bemsha Swing," you've got to wonder why so many of today's jazz artists prefer to add extras to their lineups. Monk and Brubeck brought their quartets into the mainstream with nothing more than four distinct voices that interacted musically. There was no need to add synth strings, finger chimes, congas, backup vocalists or keyboard drones. Rouse and Monk remake "I'm Getting Sentimental Over You" in their own glib style. "Hackensack" and "Evidence" drive with foot-tappin' energy. When Monk adds a few chord wrinkles to Butch Warren's walking bass solo, you can hear the audience laugh lightly. They loved the show. This is one of the best from Monk's classic quartet.
Track Listing: Straight, No Chaser; Pannonica; Just a Gigolo; Evidence; Jackie-ing; Bemsha Swing; Epistrophy; I'm Gettin' Sentimental Over You; Hackensack; Blue Monk; Epistrophy.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.