If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Half a decade ago, the visionary in Manfred Eicher met the marketing man head-on and the first collaboration between ECM's most popular artists - and an album called Officium - bridged the outwardly alien worlds of mediaeval ecclesiastical vocal harmony and Jazz saxophone. Garbarek's purity and economy of sound and his independence from the rhythmic history of Jazz allowed his saxophones to sing a fabulously evocative descant to the four Hilliard vocalists stunning recreations of vocal music before the Renaissance.
Officium became a worldwide success, and this year the collaboration is on tour around the world to support a new double CD recorded once again in the Austrian alpine monastery of St Gerold that mid-wifed Officium.
Mnemosyne means memory in pre-Christian Greek, and the five musicians work with more than 2,000 years of Western music - sometimes whole pieces, sometimes just fragments scribbled in the margins of a psalter, or, this time, new pieces by Garbarek himself that demand this most ancient of styles reinvent itself as improvisation and jazz.
Officium remains a stunning, breakthrough recording. For the jazz fan, Mnemosyne moves the magic up a notch. If you haven't had the experience yet, do yourself the favour soon.
I love Jazz because of its freedom.
I was first exposed to jazz in my teenager years.
I have met Art Blakey in Juan-les-Pins, my drum teacher Orphelia took us to his concert, it was magical!
The best Jazz shows I ever attended were Art Blakey, Michel Petrucciani, Miton Nascimento, Naná Vasconcelos.
The first jazz record I bought was Jazz from Hell by Frank Zappa.