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What made you decide to contribute to All About Jazz?
Enthusiasm for the the music.
How do you contribute to All About Jazz?
As a Senior Editor, I edit. I also write for the site.
What is your musical background?
Briefly a professional saxophonist, I later edited the monthly magazine Black Music & Jazz Review, before joining Bill Laswell's Celluloid label. I've since contributed to most of the UK's music mags, and written several books on music.
What was the first record you bought that you would still listen to today?
But Not For Me: Live At The Pershing Lounge (Chess) Ahmad Jamal.
What type of jazz do you enjoy listening to the most?
Most styles except fusion and free.
Aside from jazz, what styles of music do you enjoy?
West African (particularly Nigerian).
What are you listening to right now?
A doo-wop compilation.
Which five recent releases would you recommend to readers who share your musical taste?
Moon River (Jazz Village) Ahmad Jamal; The Complete Works Of Fela Anikulapo Kuti (Knitting Factory) Fela Kuti; Electric Morocco Land (Face Pelt) Club d'Elf; Tiger Face (Royal Potato Family) Marco Benevento; Atunde Adjuah (Concord) Christian Scott.
What inspired you to write about jazz?
It beat working.
What do you like to do in your free time? Any hobbies?
Music, music, music.
What role does jazz music play in your life?
A big one.
How does writing about jazz contribute to the music itself?
What do you like most about All About Jazz?
It's comprehensive and inclusive.
What positives have come from your association with All About Jazz?
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.