Howard and the White Boys: Made in Chicago

While the band's fusion of funk, R&B, and rock with contemporary blues strays pretty far from the pioneering colors of Muddy Waters and Willie Dixon, they've got the same emotional outpouring and fiery guitar action that has always characterized Chicago blues.

Several selections, such as "Walking to My Baby, come clearly from the blues mainstream. Guitars and keyboards replace harmonica in their lineup, filling the role successfully. McCullum sings convincingly about hot relationships, failed romance, havin' a good time, dedicated love, lonely nights, growing apart, and sad, sad hearts.

Cold Cold Feeling recalls the session's truest and most traditional meaning of the blues, as Howard and the White Boys soak up a mournful aura in a fit of passion. Everyone can relate to their message. With McCullum's poignant vocals and his band's fiery guitar attack, this one hits home.

Black Cat Bone brings back the funk and the dance that we're gonna miss, now that James Brown has passed. McCullum gives this one a fierce texture that burns hot and bright.

Walk Away and "Coming Home both move slowly and sincerely with a country flavor, as Howard and the White Boys take their opportunity to share an original message through their music. The latter, an instrumental number, brings everyone together in a passionate mix of emotion that grows gradually hotter and hotter. Made in Chicago is a clear winner, proving to the world that good blues continues to pique our deepest feelings.

Comments