This 2-CD set highlights the progressive rock super-group's performance at a Tokyo venue in 2012. The material is culled from the respective artists' songbooks, yet their prior collaborations in various ensembles also signify a nucleus for modern prog-rock fare. As one would anticipate, sparks are flying all over the place via a high-velocity and impacting program in front of a very receptive audience. It is chock full of blitzing time signatures amid soaring and uncompromising solo spots by all. The album as a whole resounds with fluidly enacted brute force tactics and undeniable chutzpah. As the monstrous rhythm section of drummer Mike Portnoy and bassist Billy Sheehan lock-in and support the often bedazzling solo jaunts by the frontline.
The band knocks out drummer Billy Cobham's classic, rock-funk groove "Stratus" adhering to the familiar theme and melody, but extends the bridge section with guitarist Tony Macalpine's zinging crunch chords and spiraling solo. Keyboardist Derek Sherinian's, textural Fender Rhodes notes, sweeping organ voicings and interweaving synth accents parallel the pace. The band moderates the pitch then revs it up into a whizzing jazz-rock workout. Here, the ensemble gives "Stratus" a bit of a modern makeover. (Emphatically recommended...) *Armoury Records/Eagle Rock Entertainment has also issued a separate DVD package of the concert footage.
Personnel: Derek Sherinian: keyboards; Mike Portnoy: drums; Billy Sheehan: bass;
Tony Macalpine: guitar
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith. We hung out at my Aunt Kate's Soul Food restaurant in Harlem after the matinees at the Apollo where I listened to their stories. I knew I wanted to be a jazz musician from then on. My mother wanted me to play piano, but my Aunt bought me a guitar. I've been playing ever since.
At my mother's early prompting, I first sang Blue Velvet at my Catholic elementary school...and all the nuns came running in and asked me to sing again, so I knew I must have sounded pretty good. I've been singing ever since.
I met Tony Bennett in Miami and he inspired me to return to New York. He was a great mentor.
The best show I ever attended is mpossible to say, I've seen so many great shows. From Tony Bennett to Pat Martino, Return to Forever to Weather Report...I've seen some great performances.
My advice to new listeners is don't let jazz intimidate you, the music has something for every listener and it is our American gift to the world.