The John Temmerman Quartet: Live in Evanston: John's Mixed Bag

Precious few artists are able to support themselves with music, much less jazz music. Even fewer are those who have a day job and are as exceptionally talented as Temmerman. The most attractive element in Temmerman's talent pool is his universality. His playing betrays the post-bop influences which can be heard in compositions such as "Plan B Downsized" and "Fundamental Dreamer." While Temmerman is respectful of John Coltrane, he is not controlled by that master. Instead, Temmerman claims Dexter Gordon as a major influence with definite elements of King Curtis, Junior Parker and the Texas Tenor tradition.

What does all that mean? Temmerman has a tremendous, catholic tone, one that easily competes with and occasionally overpowers his rhythm section. He bar walks with trumpeter Steve Thomas on Horace Silver's "Sister Sadie" and Eddie Harris' funky "Freedom Jazz Dance," making both performances juggernauts, insistently funky and propelled with groove. He also touches the nostalgia bone with a straight-ahead "Blue Moon," a potent "Norwegian Wood," and a splendidly languid "Stolen Moments."

Temmerman proves efficient and practical with his quartet rhythm section anchored with Neal Alger's fine guitar. More portable than the piano and more challenging as a rhythm section piece and solo voice, the guitar provides the perfect, delicate foil to Temmerman's enormous sound. Recordings like Live in Evanston are successful because of their simplicity and familiarity. These two characteristics make this recording very listenable and apt for repeat listens.

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