Greg Howard Band: Lift

Most of the compositions here were written by Howard. As might be expected, the Stick tends to dominate the proceedings, though Howard is sensible enough to lay back when necessary. There are many wonderful textures on the disc, as with the first track where Hubert Heeringa’s alto sax and violin are overdubbed on the exotic melody. Howard and Wolfkamp alternately complement and clash with each other as the moment requires, while Jan van Olffen's bass holds down the foundation.

The 7/4 “Cross Country” is evocative of the Pat Metheny Group, but with a more sophisticated rhythmic base. Reedman Louis Gerrits guests on three tracks, playing tenor on “Cross Country”, soprano on the lush, relaxed “Experimental Sunrise”, and wailing, groaning EWI (wind synth) on the dense and ominous “The Offering”. Heeringa’s soprano sax is especially beautiful when it’s featured. Sometimes it seems that van Olffen doesn’t have enough to do, but Wolfkamp tends to be so occupied with textural duties that it’s most logical for the bassist to sit back and anchor it all.

Lift has much to offer, especially on repeated listenings. Like the best fusion works, this disc should be played when one has the opportunity to sit down and focus on the blissful little subtleties contained therein. Howard and company move beyond chops, far beyond background music, to the kind of creativity that makes them “musician’s musicians”.

(http://www.greghoward.com)

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