Home » Jazz Articles » Album Review » Gail Thompson and the Jazz Africa All Nations Big Band: JADU

150

Gail Thompson and the Jazz Africa All Nations Big Band: JADU

By

View read count
Gail Thompson and the Jazz Africa All Nations Big Band: JADU
Gail Thompson, a rising young star on the British Jazz scene, founded the Jazz Africa Project about a dozen years ago. From that initiative came the Jazz Africa All Nations Big Band, which has been delighting audiences all over Great Britain ever since. The ensemble gained further recognition at the 1995 Duisburg “Viva la Black!” Festival and ’97 Berlin Jazz Festival before Thompson undertook a visit to the Australian outback, which served as the inspiration for the band’s second album on enja (the first, Jazz Africa, documenting its performance at Duisburg, was released in 1996). Jadu (not an exotic African or Australian name but an acronym meaning “Jazz Africa Down Under”) seeks to combine the elements of contemporary Jazz with the sound of the traditional Australian didgeridoo (played here by guest artist Sean Farrenden). While I’m not prepared to gauge the success of that particular ambition, I can say that Thompson is a splendid composer / arranger with excellent rhythmic awareness and an admirable grasp of orchestral shadings. She’s also a pretty good (self)–promoter with no less than six photographs of herself in various poses arrayed within the album’s booklet and tray. But I suppose she’s entitled to blow her own horn, as I understand she once did as a baritone saxophonist with Britain’s foremost young ensemble, the National Youth Jazz Orchestra. Whether Thompson plays on Jadu is anyone’s guess, as she’s not listed among the personnel, there are no baritone solos and it’s all but impossible to detect its presence in the ensemble passages. I’ve a hunch she does, but it’s no more than that. In any event, I’d describe Thompson’s music as cheerfully buoyant, intensely rhythmic and decidedly modern. On Jadu,>/I> she may have launched a new school of contemporary Jazz, “Afro–Australian.” Whatever one calls it, the music bristles with good–natured energy and swings hard, as good Jazz should. Its African roots are most prominent on “Mandela,” which uses a combination of busy voices and assertive rhythms to suggest the temper of a South African township. The solos, most of which are taken by trumpeter Colin Graham, tenor saxophonist Michael Coates or alto / soprano Adrian Revell (tenor Louise Elliott is heard on “Mandela,” bassist Mario Castronari on “Coolangata,” guitarist Brian Neill and pianist Mervyn Africa on several tracks), are well–drawn but of lesser import than Thompson’s dynamic charts, which keep the rhythm section on its toes and working hard. To their credit, bassist Castronari, drummer Sean Randle and percussionist Joe Legwabe rise to meet every challenge, and are especially persuasive on the quartet of flat–out cookers — “Sydney,” “Coolangata,” “Cairns for Courtney” and “Mandela.” The horns are also impressive, whether in tandem or unchaperoned. If you dig modern big–band Jazz with the emphasis squarely on modern, perhaps you should “get down” (under, that is) and check out Gail Thompson’s ultra–hip Jazz Africa All Nations Big Band.

Contact:enja records, P.O. Box 19 03 33, D–80603, Munich, Germany. Web site, www.enjarecords.com; e–mail [email protected]

Track Listing

Stopover Sydney; Dumela Azania; Surfers

Personnel

Gail Thompson
saxophone, baritone

Gail Thompson, composer, arranger; Adrian Revell, alto, soprano sax, flute; Michael Coates, Louise Elliot, tenor sax, flute; Colin Graham, Michael Collins, trumpet; Patrick Hartley, trombone; Mervyn Africa, piano; Brian Neil, guitar; Mario Castronari, bass; Sean Randle, drums; Joe Legwabe, percussion; Sean Farrenden, didgeridoo.

Album information

Title: JADU | Year Released: 2001 | Record Label: Enja Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

  • Tap the share button (the square icon with the up arrow) in the tab bar below.
  • Scroll down and tap Add to Home Screen.

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.