270

Darcy James Argue's Secret Society: Infernal Machines

Karl Ackermann By

Sign in to view read count
A little more than a decade ago, Maria Schneider served notice that big band jazz was no longer the domain of our grandparents. She has gone on to own the genre and now, Brooklyn resident and star Schneider pupil, Darcy James Argue's Secret Society takes it to an exceptional place with his debut, Infernal Machines. What is exceptional is how true to the pure nature of jazz this collection is; full of innovation, creativity, and bold, daring departures from the commonplace.

Free improvisation, or its more conscious counterpart, is difficult even in a small setting. Argue's eighteen piece ensemble manages to pull off a menagerie of styles that range from dissonant to lyrical to a wilder Loose Tubes type of progressive swing. It never falters and it is never anything less than an intriguing trip. The remarkable thing here is not that Secret Society is so adept at each distinctive form (18 good musicians can pull that off); it is that Argue, as a world class composer and arranger, uses them so cohesively and to the stimulating affect that he does.

"Obsidian Flow" begins as a leisurely paced tune seemingly built for a rhythm section more than an orchestra. Argue's cinematic touch lets the piece build, telling a story as it unfolds into a full blown collective work for the larger group. Similarly, "Habeas Corpus," on paper, could sound like a straightforward Point A to Point B transition but the sound is both complex and nuanced at the same time, and it demands repeated listening. In this piece, Argue incorporates a classical crescendo and then an almost rock style electric guitar all in the midst of a solid jazz foundation. If it sounds like too much, it isn't. The magic in Argue's method is that each influence blends seamlessly into the next without disrupting the context of the piece.

The faultless flow and blending of styles is present on every track of Infernal Machines. "Jacobin Club" flirts with a Middle Eastern subtext if only for a moment. "Redeye" floats along on gentle, if slightly hallucinogenic electric guitar riffs, not bringing in the orchestra until late. Throughout the collection there are brief and brilliant passages that can make you wonder if you heard what you suspect you did. This is an endlessly interesting collection and creates anticipation for a sophomore effort from Argue.

Track Listing: Phobos; Zeno; Transit; Redeye; Jacobin Club; Habeas Corpus (for Maher Arar); Obsidian Flow.

Personnel: Darcy James Argue: composer, conductor, ringleader; Erica von Kleist: flute, alto flute, soprano and alto saxophones; Rob Wilkerson: flute, clarinet, soprano and alto saxophones; Sam Sadigursky: clarinet, soprano and tenor saxophones; Mark Small: clarinet, bass clarinet, tenor saxophone; Josh Sinton: clarinet, bass clarinet, baritone saxophone; Seneca Black: lead trumpet; Ingrid Jensen: trumpet; Laurie Frink: trumpet; Nadje Noordhuis: trumpet; Tom Goehring: trumpet; Ryan Keberle: trombone; Mike Fahie: trombone; James Hirschfeld: trombone; Jennifer Wharton: bass trombone; Sebastian Noelle: acoustic and electric guitars; Mike Holober: piano, electric piano; Matt Clohesy: contrabass, electric bass; Jon Wikan: drum set, cajon, pandeiro, miscellaneous percussion.

Title: Infernal Machines | Year Released: 2010 | Record Label: New Amsterdam Records

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Zeno

Zeno

Darcy James Argue
Infernal Machines

Live Reviews
Album Reviews
General Articles
Album Reviews
Megaphone
Album Reviews
Profiles
Album Reviews
Interviews
Read more articles
Real Enemies

Real Enemies

New Amsterdam Records
2016

buy
Brooklyn Babylon

Brooklyn Babylon

New Amsterdam Records
2014

buy
Brooklyn Babylon

Brooklyn Babylon

New Amsterdam Records
2013

buy
Infernal Machines

Infernal Machines

New Amsterdam Records
2010

buy
Infernal Machines

Infernal Machines

New Amsterdam Records
2009

buy

Related Articles

Read This Should Be Fun Album Reviews
This Should Be Fun
By David A. Orthmann
April 20, 2019
Read Transoceanico Album Reviews
Transoceanico
By Patrick Burnette
April 20, 2019
Read Pete Seeger: The Smithsonian Folkways Collection Album Reviews
Pete Seeger: The Smithsonian Folkways Collection
By Jakob Baekgaard
April 20, 2019
Read Live in Newcastle, December 8, 1972 Album Reviews
Live in Newcastle, December 8, 1972
By John Kelman
April 19, 2019
Read HUJE 2018 Album Reviews
HUJE 2018
By Jack Bowers
April 19, 2019
Read Farallon Album Reviews
Farallon
By Jerome Wilson
April 19, 2019
Read Burning Meditation Album Reviews
Burning Meditation
By John Sharpe
April 18, 2019