Home » Jazz Articles » Album Review » David "Fathead" Newman: I Remember Brother Ray

201

David "Fathead" Newman: I Remember Brother Ray

By

Sign in to view read count
David "Fathead" Newman: I Remember Brother Ray
When Ray Charles passed away last June, his influence was so far reaching that there was little doubt all manner of tributes would soon follow. While there are bound to be attempts to capitalize on his death, nothing could be further from the truth in this case. Saxophonist David "Fathead" Newman got his first big break with Charles in the early '50s, playing in his band from '54 through '64 and making numerous guest appearances in the years to come. And so "Fathead"—a nickname Charles never liked, preferring to call him "Brains"—entered the studio of another legend—engineer Rudy van Gelder—just two months after Charles' death to record I Remember Brother Ray, a tribute to the jazzier side of a man who always regarded himself as a jazz singer anyway.

Some music is meant to stretch boundaries, and some is meant purely as a salve for the soul. Newman has never been considered a particularly adventurous tenor player, yet his warm tone, occasionally terse phrasing, and always heartfelt delivery has placed him in high demand by artists as diverse as B.B. King, Herbie Mann, Jane Monheit, and Gregg Allman. In fact, one look at his discography and it becomes evident that his career has been marked more by appearances as a guest than as a leader. Still, with over twenty recordings to his name, I Remember Brother Ray stands as an understated highlight, a record that doesn't so much jump out at you as it does gently sidle up beside you and caress you with its warmth and affability.

Like saxophonist Houston Person, who coproduces the disc with Newman and delivered his own heartfelt tribute to longtime collaborator Etta Jones last year with To Etta With Love, I Remember Brother Ray evokes the ambience of a smoky bar in the early hours of the morning. Never getting much past a medium tempo—"Hit the Road Jack" is about as lively as things get, and even then, it's more a finger-snapping number than a foot-moving one—Newman has assembled a quintet as comfortable with the tender balladry of "Georgia on My Mind" as it is the soul-drenched blues of "Drown in My Tears." Charles believed that the ability to play jazz permits the ability to cross over into other genres, and the playing on I Remember Brother Ray clearly supports his conviction. One sometimes forgets that vibraphonist Steve Nelson, heard most often these days in the more modernistic Dave Holland Quintet and Big Band, comes from a mainstream background, but his playing on the relaxed swing of "Ruby" and "It Had to Be You" proves that even the most forward-thinking of players have to have roots.

While there will undoubtedly be many tributes in the near future, few discs will equal I Remember Brother Ray for its grace, honesty, and pure connection to the true essence of Charles' legacy.

Visit David "Fathead" Newman on the web.

Track Listing

Hit the Road Jack; Georgia on My Mind; When Your Lover Has Gone; Drown in My Tears; Deed I Do; It Had to Be You; Ruby; Them That Got It (I ain't Got Nothing Yet)

Personnel

David "Fathead" Newman
saxophone, tenor

David

Album information

Title: I Remember Brother Ray | Year Released: 2005 | Record Label: HighNote Records


Next >
Line of Sight

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.