Through this debut release, Canadian drummer Harry Vetro taps into his homeland to present a series of wayfaring wonders. It's both a testament to his wandering spirit and an exploration of the Great White North's virtues as measured in nature and man.
As 2017 marked the sesquicentennial celebration of Canada's confederation, Vetro saw fit to celebrate the moment by setting off on a journey across the country's vast lands. His travels took him to the six indigenous cultural areas of the nationArctic, Subarctic, Northwest Coast, Plateau, Plains, and Eastern Woodlandsand ultimately inspired this musical production, a work that's Canadian to the core and a collection with a broad aesthetic that's both jazz-based, folk-dusted, and proudly experimental.
Using varied configurations and working from a fairly selfless stance, Vetro guides a sympathetic set of musicians through breathtaking vistas. He's not afraid to take the reins, as made evident on the tom-centric introduction to "Buffalo Jump," but the writing supersedes the need for solo space. Opening on guitarist Ian McGimpsey's placid rendering of "Northern Ranger: Leaving Goose Bay," Vetro then ventures further afield. The follow-up numberthe aforementioned "Buffalo Jump," brought to life by a confident sextet supported by stringsbubbles with excitement while occasionally revealing a serene undercurrent. Later, "Northern Ranger: Air Borealis," conjured by a trio matching Vetro with pianist Jacob Thompson and bassist Phil Albert, shifts shapes and moods while dancing to the polar lights (and namechecking a small passenger airline); the all-too-brief "Pichogen Lake" serves as one of several places where trumpeter Lina Allemano's warm and fluid horn receives a setting it deserves; and guitarist Dan Pitt and saxophonist Harrison Argatoff each ride the currents aloft and/or afar on "Hawk Air," another number referencing a Canadian means of air travel.
Along the way we see a number of presentations that could be dubbed detoursThompson's cool-headed solo piano work on "Blackcomb" and its introductory predecessor, a trio of pastoral tracks (two miniature, one full-length) under the parenthetical "Shakut Tun" umbrellabut they all tie into the theme at hand. Byways and highways, natural surroundings and man-made elements, and a general appreciation for all that stands north of the 49th parallel inform Vetro's venturesome work.
Track Listing: Northern Ranger: Leaving Goose Bay; Buffalo Jump; Sha (Shakat Tun); Gondola To Blackcomb; Blackcomb; Northern Ranger:
Air Borealis; Pichogen Lake; Hawk Air; kat (Shakat Tun); Pacific Smoke; Northern Ranger; Tun (Shakat Tun).
Personnel: Harry Vetro: drums; Lina Allemano: trumpet; Harrison Argatoff: saxophone; Dan Pitt: guitar; Iam McGimpsey: guitar; Noah Franche-
Nolan: piano; Jacob Thompson: piano; Andrew Downing: bass, cello; Phil Albert: bass; Jessica Deutsch: violin; Anna Atkinson: violin;
Aline Homzy: viola.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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