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Good Nuff is a perfect title for a Johnny Smith record, given that it aptly describes most of his records. Johnny “Hammond” Smith never earned the acclaim of the other organist who bears his last name, and for good reason; he simply isn’t as talented or inventive as the one who carved out several dynamic sessions for Blue Note. Often resorting to a template of well-worn grooves and clichés, Smith is fortunate enough on the first of the two sessions here (1962's Cooks With Gator Tail ) to surround himself with players capable of turning up the heat when he isn’t quite up to the task.
Eddie McFadden paid his dues on Jimmy Smith’s early sessions and obviously learned his lessons; Willis Jackson is a fiery tenor player capable of infusing the proceedings with a heavy dose of rhythm ‘n’ blues. When the quartet sticks to traditional bluesy grooves, everything works well, but they struggle to find something to do with inferior material such as “Besame Mucho.” “No One Knows the Trouble I’ve Seen,” which could have been a real burner, ends up being cumbersome and loping.
Surprisingly, the second session (1965's The Stinger ), which features more obscure musicians in Houston Person or Earl Edwards on sax and Floyd Smith on guitar, works far better. The group finds the groove on every track, and even the originals have an element of novelty missing in the earlier session. Still, though, both sessions are fairly ordinary, and a listen to this CD may merely inspire someone to put on The Sermon instead. An earlier compilation, Open House, is a better demonstration of Smith’s abilities and features a stellar line-up featuring Thad Jones and Art Taylor.
Track Listing: 1. Good 'Nuff 2. Nobody Knows The Trouble I've Seen 3. Sonja's Dreamland 4. Besame Mucho 5.
Neckbones 6. Delicious 7. Y'All 8. The Stinger 9. There Is No Greate Love 10. Brother John 11.
Cleopatra and The African Knight 12. You Don't Know What Love Is 13. Benny's Diggin.
Personnel: Johnny "Hammond" Smith-organ; Eddie McFadden, Floyd Smith-guitar; Willis Jackson, Houston
Person, Earl Edwards-tenor sax; Loe Stevens.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com