Carter's tribute to the memory of Billie Holiday weaves lyrical melodies around his own trademark enthusiasm. His desire to build upon what our jazz ancestors laid down for us has matured. Instead of far-out creations that few could understand and that many would bicker with, the 34-year-old saxophone sensation serves up an accessible program that reaches, nevertheless, into the 21st century. Stereo saxophones and deep-throated clarinets surround themes that recall the uniqueness of Lady Day. Her deep, inner strengths, her don’t-quit attitude, and her remarkable perseverance all show up in the musical arrangements that James Carter has adopted for his debut on Columbia.
John Hicks, Peter Washington and Victor Lewis support the saxophonist hand in glove. The strings add a considerable dimension. Carter wails and moans with the spirit that has driven jazz and blues for at least a century. On “I’m in a Low Down Groove,” he captures the blues essence with dueling saxophone voices (through multi-tracking). His baritone voice comes through loud and clear.
Lady Day would love what Carter has done with “Strange Fruit.” As if churning from a huge opera house, he portrays all the images that the song’s lyrics relate. Miche Braden, singing with a helpless perspective of the horror that has been going on, remains distant and emotional. He interprets well. For this track, Carter lets loose the fiery cannons that he’s been carrying with him since his arrival on the jazz scene ten years ago.
Billy Strayhorn’s “Flower” is presented as a lovely baritone saxophone ballad with strings. “Indian Summer” brings more of the same lush, Lady Day swing with Carter on soprano. He returns to the baritone for “More Than You Know,” which rolls out as yet another lush ballad in tribute. Highly recommended, Carter’s first new album in three years honors the past and blazes a trail for the future.
Track Listing: Gloria; Sunset; (I Wonder) Where Our Love Has Gone; I
Personnel: James Carter- tenor saxophone, F mezzo saxophone, contrabass clarinet, bass clarinet, baritone
saxophone, soprano saxophone; John Hicks- piano; Peter Washington- bass; Victor Lewis- drums;
Sandy Park, Sharon Yamada, Lisa Kim, Myung Hi Kim, Ann Kim, Sarah Kim- violin; Robert Rinehart,
Tom Rosenthal- viola; Elizabeth Dyson, Sarah Seiver, Bruce Wang, Mina Smith, Jeanne LeBlanc,
Eileen Moon- cello; Erik Charlston- vibraphone, wind machine; Erik Ralske, Phil Myers- French
horn; Jeff Nelson- bass trombone; Miche Braden- vocals on
I love jazz because it expresses things so deep that I can't transform in words.
I met John Pizzarelli.
The best show I ever attended was MASP in São Paulo Brazil.
The first jazz record I bought was a Baby Dodds CD.
My heroes on drums: Papa Jo Jones, Sid Catlett, Gene Krupa, Baby Dodds, Zutty Singleton, Ray Bauduc, Vernell Fournier,
Shelly Manne, Jimmy Cobb, Joe Morello, Daniel Humair, Kenny Clarke, Sonny Carr, Buddy Rich, Sam Woodyard, Cozy Cole,
Sonny Greer, Neil Peart, Carl Palmer, Tony Sbarbaro, Vic Berton, Edison Machado, Milton Banana, Rubens Barsotti.
My heroes in jazz: Duke Ellington, Count Basie, Chet Baker, Miles Davis, Ahmad Jamal, Coleman Hawkins, Teddy Wilson,
Barney Kessel, Lester Young, Johnny Hodges, Jelly Roll Morton.