Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
556

Jean-Michel Pilc: Follow Me

Andrew Durkin By

Sign in to view read count
Jean-Michel Pilc: Follow Me Given the Francophobia that has reared its ugly head in American politics over the last few years, it's a relief to see that Stateside jazz fans, at least, are still open to the contributions of European practitioners of the art form. So, for instance, Jean-Michel Pilc's latest CD, the somewhat generically named Follow Me , has been getting great reviews here in the States. And why shouldn't it? A former scientist, Pilc plays with a precision that in places is reminiscent of Bill Evans or Oscar Peterson. More importantly (and also like Evans and Peterson) he avoids sounding dry or academic despite the fact that he rarely misses a note.

What may be most admirable about Pilc's artistry, though, is that he seems to understand that there can be a productive relationship between the forces that have threatened to destroy jazz since the eighties—the alternate realities of "out" and "in" (or, put another way, of the avant-garde and the mainstream). Though it may be tempting to hear Pilc as leaning more toward the musical inside (a sense perhaps reinforced by the standards he selects on this record, and by the pretty title track, a Pilc original), he's not afraid to complicate the more "lyrical" aspects of his sound with a subtle but insistent pianistic subversiveness. Listen, for example, to the sudden clusters that pepper his rendition of "My Favorite Things." Or the Monk-like anti-ending of "Autumn Leaves." Or the atonal countermelody woven into the beginning of "Ain't Misbehavin'." Pilc is equally Janus-faced as a composer: for instance, the aforementioned "Follow Me" is nicely balanced with a more angular original, cryptically entitled "The Racoon."

In the end, there's a vague restlessness to this recording, as if Pilc is torn between competing impulses to put a given tune together and then take it apart again. No complaint, that; it's another way of saying that Pilc leans toward a comprehensive pianism, ably expressing—on a single instrument, no less—so much of what has made jazz fascinating, problematic, or inspiring over the last hundred years.


Track Listing: 1 Follow Me 3:34 2 Les Amants d'Un Jour 3:28 3 St. Louis Blues 3:18 4 My Favorite Things 4:32 5 If I Should Lose You 3:24 6 St James Infirmary 3:44 7 Happiness Seven 2:08 8 One for My Baby 4:26 9 The Racoon 3:32 10 Autumn Leaves 3:12 11 Ain't Misbehavin' 3:22 12 Beaver Dam 3:55 13 Vous Qui Passez Sans Me Voir 2:55 14 B Minor Waltz 3:35 15 Oleo 1:32 16 Les Copains d'Abord 4:02

Personnel: Jean-Michel Pilc: Piano and whistling

Year Released: 2004 | Record Label: Dreyfus Records | Style: Straight-ahead/Mainstream


Shop

Post a comment

comments powered by Disqus

All About Vince Guaraldi!

An exclusive opportunity for All About Jazz readers to participate in the celebration of a jazz legend.