Steve Roach: Early Man/Early Man, Decomposed

You can definitely hear echoes of the original album on Decomposed , but Roach has scrambled the sounds, changing the sequence in which they appear, the sound-mix that modifies them, and even their pitch and rhythm, all this through the wonders of digital sound-manipulation. Although Decomposed is presented as a list of tracks, it really forms one complete entity, rather like Roach's long "pure" ambient albums such as Slow Heat (1998) or Atmospheric Conditions (1999). Like these previous pieces, Decomposed is more a "sound environment" than a piece of conventional structured music. It is a classic example of the "abstract" Roach, featuring, as I have described in earlier reviews, long, often quiet passages of atonal noises and tones, wrapped in cavernous reverberation. Synthesizer notes, percussion, "found sounds" and singing stones, industrial clanks, soft rhythms, whispers, loops and echoes, all blend together into a rather chilly, drifting atmosphere, more reminiscent (as in Atmospheric Conditions ) of a cave or a mine than of the sun-baked desert of Roach's usual landscape.

Decomposed is not easy listening. It has a different mood from its more accessible, even bouncy predecessor on the first disc of the album. This second disc is ambient made out of ambient, at a double distance from the predictable soundworld of electronic music. As a result, Decomposed will probably attract fewer listeners than its companion disc. Those who do listen will hear a dark, mysterious soundscape that seems to emanate from the remote depths of the earth.

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