Extracting information (and sometimes pleasure) from an Anthony Braxton large ensemble recording is often an arduous task. The music's density and somewhat impermeable nature often exhausts a listener's patience. Somehow this has rarely been the case with his duo recordings. Duets with Max Roach, Georg Grawe, Gino Robair, Evan Parker, Derek Bailey, and now Taylor Ho Bynum lend insight into one of the true musical geniuses of our time.
Joining Braxton is cornetist Taylor Ho Bynum, Braxton's masters student at Wesleyan University. Bynum is no novice. He has recorded with Braxton's larger ensembles, made two nice duets discs with drummer Eric Rosenthal, and is a member of the Fully Celebrated Orchestra, which is a sort of 21st century update on Ornette Coleman's early 1960's band.
This post-Ghost Trance 2002 recording finds Braxton switching between saxophones and his much loved clarinets. The pair mixes up the session with two compositions by Braxton, three by Bynum, and a spontaneous improvisation. The relaxed nature of these tracks is the story here. Neither player grandstands, opting for fidelity to the compositions and deference to the other player. Not that there aren't moments of outstanding merit, such as Braxton's verbal overblowing on "Scrabble, his circular breathing on "Composition 305, and Bynum's deft mute work. The pair work through minimalist breathing exercises on Bynum's "To Wait and a jocular post-bop romp with "All Roads Lead To Middletown. Bynum seems to be following the pathways of modern trumpeters Bill Dixon, Don Cherry, and Axel Dorner. He extends the possibilities of the trumpet, yet includes us along for the ride. This is a highly accessible and very enjoyable date.
Track Listing: Composition 304 (+ 91, 151, 164); Scrabble; To Wait; All Roads Lead To
Middletown; Improvisation; Composition 305 (+ Language Improvisations,
Personnel: Anthony Braxton: sopranino saxophone, soprano saxophone, F alto
saxophone, Eb alto saxophone, baritone saxophone, Eb clarinet, Bb
clarinet, contralto clarinet; Taylor Ho Bynum: cornet, trumpbone, shell,
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!