Home » Jazz Articles » Album Review » Nicholas Payton: Dear Louis
Nicholas Payton: Dear Louis
Regardless, for his tribute to legendary, fellow New Orleans hornman Louis Armstrong, Nicholas Payton has chosen the later approach. Indeed, Payton's sprawling arrangements for his eleven-piece big band have little in common with Armstrong's landmark recordings. Payton turns "Hello, Dolly" into a bossa nova, and puts a modern, almost bop spin, on classics like "Potato Head Blues" and "West End Blues." The trumpeter flexes his vocal chords on "I'll Never Be The Same" and again with "I'll Be Glad When You're Dead," while special guest vocalist Dianne Reeves is fine on "Sunny Side Of The Street" and Dr. John croons "Mack The Knife."
In spite of his newfound vocal prowess (he's not a bad singer), it's Payton's trumpet work on Dear Louis that's most impressive. Clear, clean and confidently assured—Pops would surely approve.
Track Listing
Potato Head Blues, Hello, Dolly, I'll Be Glad When You're Dead (You Rascal You), Tight Like This, Interlude, On the Sunny Side of the Street, Dear Louis, Blues in the Night, The Peanut Vendor, Mack the Knife, Tiger Rag, I'll Never Be the Same, West End Blues.
Personnel
Nicholas Payton
trumpetNicholas Payton: trumpet, flugelhorn, vocals, Fender Rhodes electric piano; Paul Stephens: trumpet, flugelhorn; Ray Vega: trumpet; Vincent Gardner: trombone; Bob Stewart: tuba; Bill Easley: clarinet, alto saxophone, flute; Scott Robinson: bass clarinet, baritone and contrabass saxophones, flute; Tim Warfield: tenor and soprano saxophones, flute; Peter Bernstein: guitar; Melvin Rhyne: organ; Anthony Wonsey: piano; Walter Payton: bass; Reuben Rogers: bass; Adonis Rose: drums; Kenyatta Simon: percussion; Dr. John: vocals; Dianne Reeves: vocals.
Album information
Title: Dear Louis | Year Released: 2001 | Record Label: Verve Music Group
Tags
Comments
PREVIOUS / NEXT
Nicholas Payton Concerts
Support All About Jazz
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.Showcase
Giveaway
