Home » Jazz Articles » Album Review » Nicholas Payton: Dear Louis
Nicholas Payton: Dear Louis
Regardless, for his tribute to legendary, fellow New Orleans hornman Louis Armstrong, Nicholas Payton has chosen the later approach. Indeed, Payton's sprawling arrangements for his eleven-piece big band have little in common with Armstrong's landmark recordings. Payton turns "Hello, Dolly" into a bossa nova, and puts a modern, almost bop spin, on classics like "Potato Head Blues" and "West End Blues." The trumpeter flexes his vocal chords on "I'll Never Be The Same" and again with "I'll Be Glad When You're Dead," while special guest vocalist Dianne Reeves is fine on "Sunny Side Of The Street" and Dr. John croons "Mack The Knife."
In spite of his newfound vocal prowess (he's not a bad singer), it's Payton's trumpet work on Dear Louis that's most impressive. Clear, clean and confidently assuredPops would surely approve.
Track Listing
Potato Head Blues, Hello, Dolly, I'll Be Glad When You're Dead (You Rascal You), Tight Like This, Interlude, On the Sunny Side of the Street, Dear Louis, Blues in the Night, The Peanut Vendor, Mack the Knife, Tiger Rag, I'll Never Be the Same, West End Blues.
Personnel
Nicholas Payton
trumpetNicholas Payton: trumpet, flugelhorn, vocals, Fender Rhodes electric piano; Paul Stephens: trumpet, flugelhorn; Ray Vega: trumpet; Vincent Gardner: trombone; Bob Stewart: tuba; Bill Easley: clarinet, alto saxophone, flute; Scott Robinson: bass clarinet, baritone and contrabass saxophones, flute; Tim Warfield: tenor and soprano saxophones, flute; Peter Bernstein: guitar; Melvin Rhyne: organ; Anthony Wonsey: piano; Walter Payton: bass; Reuben Rogers: bass; Adonis Rose: drums; Kenyatta Simon: percussion; Dr. John: vocals; Dianne Reeves: vocals.
Album information
Title: Dear Louis | Year Released: 2001 | Record Label: Verve Music Group
About Nicholas Payton
Tags
PREVIOUS / NEXT
Nicholas Payton Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






