Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

332

Komeda Project: Crazy Girl

C. Michael Bailey By

Sign in to view read count
In a too brief but productive life, Krzysztof Komeda (1931-1969) composed in excess of forty film scores. These film scores include such Polish cinematic gems as Roman Polanski's Knife in the Water and Andrzej Wajda's Innocent Sorcerers. Komeda's first score for the screen was Polanski's first film, Two Men and a Wardrobe (1958). In the same way that Sam Peckenpaw used the same actors for his films, so Polanski would do with Komeda in almost all of his films from the late 1950s the late 1960s, culminating in the riveting Rosemary's Baby. That soundtrack may only be comparable with Ennio Marricone's score for The Good, The Bad and The Ugly.

Trumpeter Tomasz Stanko worked on all of Komeda's Polish scores from the mid-1960s on and was the composer's closest musical associate and band member from 1963 until 1968. Stanko used Komeda's compositional vision to bring 1965's epochal Astigmatic to fruition—a style in jazz composition unique to Europe. Komeda and Stanko stand as the founders of modern Polish jazz.

The Komeda Project is a quintet devoted to the compositions of Komeda. It takes full advantage of the open structure the composer ensured in all of his pieces. This open structure should not frighten free jazz phobics. The music is rhythmic and lyrical. The quintet's musicianship is beautifully applicable and natural, with a certain organic recognition of the composer's intent.

These pieces were tailor-made for jazz interpretation outside the cinema. The title cut takes full advantage of pianist Andrzej Winnicki's assertive approach and tenor saxophonist Krzysztof Medyna's masculine and androgenic tone. The rhythm section of bassist Michael Bates and drummer Dave Anthony sets up a well-paced walking tempo that spurs trumpeter/flugelhornist Russ Johnson to some round-toned soloing.

The spirit of A Love Supreme is conjured in "Kattorna with its extensive introduction, but departs the vaporous for a quick paced Griot jog. The solo space is backed sparsely, allowing Johnson to explore his trumpeting fully. "Ballada is exactly that, a plaintive ballad. It is one of the most open-ended of the compositions and is accented by Michael Bates' arco playing against Johnson's brass calls. Medyna rounds out the piece with a fine tenor recital, slow and methodical, crossing with Johnson's flugelhorn. The entire disc exists in this vein, making it a compelling musical offering that stands apart from the typical, standard quintet fare.


Track Listing: Crazy Girl; Kattorna; Ballada; Is That Your Final Answer?; Svantetic Prelude; Svantetic; Tail Peace; Stop Time; Sleep Safe and Warm.

Personnel: Russ Johnson: trumpet and flugelhorn; Krzysztof Medyna: tenor and soprano saxophones; Andrzej Winnicki: piano; Michael Bates: bass; David Anthony: drums.

Title: Crazy Girl | Year Released: 2007 | Record Label: WM Records

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Kattorna

Kattorna

Komeda Project
Crazy Girl

CD/LP/Track Review
Interviews
CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Read more articles
Requiem

Requiem

WM Records
2010

buy
Requiem

Requiem

WM Records
2009

buy
Crazy Girl

Crazy Girl

WM Records
2007

buy

Related Articles

Read Runner in the Rain CD/LP/Track Review
Runner in the Rain
by Troy Dostert
Published: December 15, 2018
Read Cuarteto Europa CD/LP/Track Review
Cuarteto Europa
by Mark Sullivan
Published: December 15, 2018
Read Chicago/Buenos Aires Connections CD/LP/Track Review
Chicago/Buenos Aires Connections
by Chris Mosey
Published: December 15, 2018
Read Beggar’s Banquet 50th Anniversary Edition CD/LP/Track Review
Beggar’s Banquet 50th Anniversary Edition
by C. Michael Bailey
Published: December 15, 2018
Read Intelsat CD/LP/Track Review
Intelsat
by Glenn Astarita
Published: December 15, 2018
Read World Gardens CD/LP/Track Review
World Gardens
by Dan McClenaghan
Published: December 14, 2018
Read "Strata" CD/LP/Track Review Strata
by Franz A. Matzner
Published: September 5, 2018
Read "My Singing Fingers" CD/LP/Track Review My Singing Fingers
by Dan McClenaghan
Published: May 25, 2018
Read "Lean On Me" CD/LP/Track Review Lean On Me
by Franz A. Matzner
Published: August 28, 2018
Read "After Caroline" CD/LP/Track Review After Caroline
by Mark Corroto
Published: August 24, 2018
Read "Toot Suite" CD/LP/Track Review Toot Suite
by Nicholas F. Mondello
Published: February 23, 2018
Read "The Blind Night Watchers' Mysterious Landscapes" CD/LP/Track Review The Blind Night Watchers' Mysterious Landscapes
by Glenn Astarita
Published: October 29, 2018