Home » Jazz Articles » Album Review » Wycliffe Gordon: Cone's Coup
Wycliffe Gordon: Cone's Coup
Gordon's last Criss Cross CD, In the Cross, featured a gospel choir in his jazz versions of spirituals. Here he concentrates on exploring the blues and a couple of ballads, with a quintet filled out by tenor saxophonist Stacy Dillard, pianist Johnny O'Neal, bassist Reginald Veal and drummer Herlin Riley. The latter two worked extensively with Gordon in Wynton Marsalis' septet and the Lincoln Center Jazz Orchestra, evident by the way they lock into grooves here so solidly.
On the opening "Shhh!!! (The Band is Trying to Play) and closing "Hush Yo' Mouf!!," a further reprise of that opener, Gordon scolds a noisy audience in song (these are the only vocals on the disc) as well as through an agitated, plunger-muted solo. Miles' "Walkin' lends inspiration, and a coda to "Yaht Doo Daht Ditt, a fast original blues, finds the leader ripping into a solo that rises to the slippery horn's upper reaches.
"Blues for Alice's Freight Train, combining Charlie Parker and Tommy Flanagan blues in sequence and then in tandem by the horns, and Coltrane's "Mr. P.C., pitting the horns against each other in a pianoless quartet, are typical of the arranging challenges that Gordon uses to produce a constantly engaging album.
Track Listing
Shhh!!! (The Band Is Trying to Play); Yaht Doo Daht Ditt; Sweet Spot; Blues for Alice's Freight Train; Speak Low; Breaks; Blooz Hymn; Just Friends; Stars Fell on Alabama; Mister P.C.; Cruise Blues; Hush Yo' Mouf!!
Personnel
Wycliffe Gordon
tromboneWycliffe Gordon: vocals, trombone; Stacy Dillard: saxophone; Johnny O'Neal: piano; Reginald Veal: bass; Herlin Riley: drums.
Album information
Title: Cone's Coup | Year Released: 2006 | Record Label: Criss Cross
About Wycliffe Gordon
Tags
PREVIOUS / NEXT
Wycliffe Gordon Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






