Free jazz and the avant-garde form an interesting and self-conflicted paradigm. All too often it seems musicians perceive the "free" aspect to mean that they must completely reject traditional music and become trapped in the ether of ambiguity, rather than perhaps accepting a loftier goal: the freedom to both use, and move beyond convention. Reptet is an exciting group which, judging by the music contained on the critically lauded Chicken Or Beef? has accepted that idealbut only after having poked fun at anyone who would spend a paragraph entertaining such minutiae. Simply put, the album provides an hour of exciting, varied and expertly-realized music.
There is a refreshing awareness alongside a sense of unrelenting, yet effortless, energy to the compositions. This forms a strong and interesting contrast to their sometimes quirky nature. Harmonies flutter from tight unison to wide, yearning Wagner-esque sonorities in "Gwand Wabbit," all the while driven forwards by the exacting and infectious groove of drummer John Ewing and bassist Tim Carey. The lack of a traditional chordal instrument on a majority of the tracks in no way limits the music. The horns weave deft lines behind vivacious improvisations with far more interest and dynamic than could be achieved by a piano or guitar. The ensemble reveal a wide range of influences, from the explosive Mexican lament and dance on "Reptet Score!" to the jovial trombone-led masquerade on "That's Chicken or Beef" and the rocked up intro to "Fish Market."
As an album, it feels almost like a compilation, or a sampler of the band's more than obvious talent, and leaves the impression that they could easily release an entire record based on anyone of the themes explored. But this is not to say that it lacks cohesion, rather that they chose be trapped within one style, and have blurred the edges between the rest.
As to the question posed by the title: if you want fiery, spiced chicken, listen to some bop, and if you hunger for a beefier, more cerebral cut, look to the avant- garde. However, if you want both, along with a side from the expansive buffet of music, then Reptet and Chicken or Beef? Will provide a solid and exciting experience.
Track Listing: Danger Notes; Reptet Score!; eltiT; Eve of Thrieve; Chicken or Beef?;
That's Chicken or Beef; Gwand Wabbit; Fish Market; Swanni; Kill the
Air; Go Bears.
Personnel: John Ewing: drums, percussion, bull moose call, vocals; Samantha
Boshnack: trumpet, flugelhorn, slide trumpet, vocals; Chris Credit:
baritone, alto, and tenor saxes, vocals; Tim Carey: upright and
electric bass, baritone guitar, vocals; Nelson Bell: trombone, tuba,
euphonium, conch shell, vocals; Izaak Mills: tenor sax, bass
clarinet, flute, percussion, bull moose call, vocals; Lalo Bello:
percussion (1, 2, 5, 8); Mark Oi: guitar (6, 8); Tobi Stone: clarinet
(5, 6); Clinton Fearon: frog (1, 6), vocals (6); Eyvind Kang: viola
(1); Lori Goldston: cello (1); Paris Hurley: violin (1); Maeg
O'Donoghue-Williams: vocals (7); Sari Breznau: vocals (7); Kevin
Hinshaw: vocals (7); Scott Adams: vocals (7); Satchmo: vocals (11);
Jack: vocals (11).
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.