Home » Jazz Articles » Album Review » Pearl Django: Chasing Shadows
Pearl Django: Chasing Shadows
A melancholy mood pervaded the recording of Chasing Shadows, owing to the death of founding member and guitarist Dudley Hill in January, 2005 after a battle with colon cancer, but the music remains ebullient. The band added three musicians to help spice up the album: French guitarist Patrick Saussois, Seattle drummer Mark Ivester, and Seattle area accordionist David Lange. Saussois composed "Gypsy-attle for the sessions, and the song's insistent, quick tempo is like a challenge to your feet to not start tapping. Likewise, Lange proves a valuable addition by adding some appropriately Parisian accordion to "Bluesette. Throughout, Ivester brings a sure sense of swing and sensitive but forceful punctuation.
The original members shine as well. Violinist Michael Gray contributes some lovely devil-may-care lines to "La Vie En Rose. The twin guitar tandem of Neil Andersson and Greg Ruby provides wonderful mutual support on "September Song. Of course, the emotional high point of the disc is the duo performance of "Boise Jump by Andersson and Hill, recorded in 1992. A special bond between the two musicians is immediately evident, adding a poignant final touch to an uncommonly enjoyable and skillful album.
Track Listing
No. 19; Bluesette; Samba Du Cabaret Rouge; Tres Palabras; I Never Knew; Besame Mucho; Long Gone; Trois Et Deux; La Vie En Rose; Gypsy-attle; September Song; You Must Believe In Spring; Boise Jump.
Personnel
Pearl Django
band / ensemble / orchestraNeil Andersson: guitar; Michael Gray: violin; Rick Leppanen: double bass; Greg Ruby: guitar; Mark Ivester: drums; David Lange: accordion; Patrick Saussois: guitar.
Album information
Title: Chasing Shadows | Year Released: 2005 | Record Label: Modern Hot Records
About Pearl Django
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





