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Mads Tolling spent nine prominent years with the Turtle Island Quartet; here, with his quartet, the Grammy Award-winning violinist hails Jean-Luc Ponty at Yoshi's jazz venue in Oakland, CA. Tolling contributes two original compositions to complement six Ponty-penned works, amid other pieces culled from the legendary French violinist's expansive discography.
It's a bit sleeker, when directly contrasting Ponty's epic jazz-fusion Enigmatic Ocean (Atlantic, 1977). But Tolling turns up the heat via his intensely soaring unison choruses with guitarist Mike Abraham, and exercises a gleaming and impactful cover, though not as loud or ominous as the original rendition featuring Allan Holdsworth and Daryl Stuermer's blazing dual-guitar leads and solos.
The frontline imparts the sonorous melody amid soaring unison lines and a sense of openness, affording ample soloing opportunities and perky call-and-response mechanisms with the rhythm section. With yearning notes and a few rifling flurries, Tolling and Abraham extract the core attributes of the composition, but redesign the bridge section with a custom-built perspective. The varied track mix, containing numerous ebbs, flows, and variances in delivery, equates to an impassioned program gushing with an abundance of entertaining qualities.
Personnel: Mads Tolling: violin; Mike Abraham: guitar; George Ban-Weiss: bass; Eric Garland: drums.
Year Released: 2012
| Record Label: Madsman Records
| Style: Modern Jazz
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.