Home » Jazz Articles » Album Review » Maria Kannegaard Trio: Camel Walk

463

Maria Kannegaard Trio: Camel Walk

By

Sign in to view read count
Maria Kannegaard Trio: Camel Walk
Camel Walk is Danish-born, longtime Norwegian-based pianist Maria Kannegaard's third trio release since Breaking the Surface (ACT, 2000), retaining the same line-up as Quiet Joy (Jazzland, 2005). Those looking for largely delineated solos may have to go elsewhere; Kannegaard's approach has more to do with gradual, almost hypnotic evolution and collective interaction than a conventional approach that, even in such a clearly democratic collective, places the piano front and center.

It's a modern approach to the piano trio format that's almost antithetical to its very core, yet creates a new aesthetic appealing in its combination of rich melody and oftentimes quirky compositional constructs. "Drifting down the Nile" revolves around a relatively simple premise, with Kannegaard rarely straying from her defined theme and circular changes; the pianist's persistent use of repetition referencing minimalist classicism without sounding anything like it.

Freedom also plays a large role in the process. "A cup of coffee and some danish pastries" begins in spare abstraction, with up-and-coming bassist Ole Morten Vagan—heard recently on Kannegaard's Maryland (Moserobie, 2007) and emergent pianist Havard Wiik's The Arcades Project (Jazzland, 2007)—and more established drummer Thomas Stronen (of Humcrush and Food), creating an oblique foundation for Kannegaard's quietly majestic motif to repeatedly emerge, only to dissolve again into more open-ended spontaneity. Stronen is listed as drummer, but his kit is an expanded one that includes all manner of hand and tuned percussion, used in subtle ways to create a broader sonic landscape.

The title track is an appropriately lumbering piece with a dense, repeated three-chord pattern supported by the fluid yet powerful Stronen. Kannegaard takes a more defined solo that's near stream-of-consciousness in its jagged angularity, but it's the overall build of the trio into a powerful maelstrom of sound revolving around a 3/4 time pedal point that gives the tune its requisite weight. Everyone finds ways to expand on the simplest of ideas: Vagan's arco harmonics create an otherworldly pattern underneath Kannegaard's initially delicate phrasing that ultimately builds to greater drama; while Stronen's dynamic shifts from sparsity to frenetic energy interact with Kannegaard's blend of repetitive, ham-fisted dissonance and clearer melody on "Hurry, slowly," a tune that swings in its own unique way.

Despite Camel Walk's avoidance of piano trio conventions there are traces of the many sources that inform Kannegaard's style, including Keith Jarrett, Bill Evans, Herbie Nichols, and Thelonious Monk. But despite Stronen's almost counter-rhythmic approach, the neoclassicism of "Sliding Doors," couldn't come from anyone but fellow Norwegian Ketil Bjornstad. If better-known groups like The Bad Plus and e.s.t. have popularized a more youthful and contemporary evolution of the piano trio, it's pianists like Maria Kannegaard, working in the trenches, who continue to redefine it. Camel Walk is a window into a new world where interplay and freedom are still signature, but form is less about conventional verse and chorus and more about pushing and pulling unorthodox but still thematic ideas to their unpredictable but ultimately inevitable conclusions.

Track Listing

Drifting down the Nile; Haunted; A cup of coffee and some danish pastries; Camel Walk; Bits; Quite at rest; Hurry, slowly; Sliding doors; Traveling pass; We interrupt for a short commercial.

Personnel

Maria Kannegaard: piano; Ole Morten Vagan: double-bass; Thomas Stronen: drums.

Album information

Title: Camel Walk | Year Released: 2008 | Record Label: Jazzland Recordings


< Previous
Radiotree

Next >
Swing Out

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Precipice
Ill Considered
My Prophet
Oded Tzur
Hearts of Palm
Eden Har-Gil

Popular

For Real!
Hampton Hawes
My Prophet
Oded Tzur
Nimble Digits
Geoff Stradling
Time Again
Koppel, Blade, Koppel

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.