Tony Monaco fronts two organ trios on this album of hot standards. The leader and two excellent guitar traditionalists make the session stand out. Monaco maintains a lively rhythmic groove, while everyone adds fuel to the fire. Trading fours and stretching out, each trio member participates independently. And yet, they're cohesive. Derek DiCenzo and Louis Tsamous work with the organist on "Backward Shack," "Fungi Mama" and "So Long for Now." Paul Bollenback and Byron Landham – longtime associates of Joey DeFrancesco – jam with Monaco for the rest. The courage required of him in overcoming neuralgic amyotrophy speaks to the organist's enthusiasm. His motivation has carried him through tough times from age 15 on. External motivation has come from Jimmy Smith and Joey DeFrancesco; both encouraging him to perform with them at key intervals. More about Monaco's courageous battle and highlights from this, his latest album, are available from his web site .
Joey DeFrancesco sits in on piano for "Girl Talk," the session's lone vocal number. His romping interlude burns in vintage form. That track and "Bluesette" represent the album's high points. This is hot, straight-ahead jazz. There are no low points.
Track Listing: Blues for T; Backward Shack; Girl Talk; Fungi Mama; Jumpin' the Blues; Ashleen; Bluesette; Road Song; So Long For Now.
Personnel: Tony Monaco- Hammond B3 organ, vocals; Joey DeFrancesco- piano; Paul Bollenback, Derek DiCenzo- guitar; Byron Landham, Louis Tsamous- drums.
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.