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10
Album Review

Ramón López: 40 Springs In Paris

Read "40 Springs In Paris" reviewed by Mark Corroto


To say that Spanish-born Ramón López is an in-demand drummer would be an understatement. His recent collaborators span a wide spectrum of creative music, including Satoko Fujii, Natsuki Tamura, Ivo Perelman, Barry Guy, Agustí Fernández and Angelica Sanchez--and that list reaches well beyond the realms of jazz and free improvisation. López has performed in intimate ensembles and large jazz orchestras, and his deep study of both flamenco and Indian classical music adds rich dimensions to his artistry. This ...

10
Album Review

Joëlle Léandre: Lifetime Rebel

Read "Lifetime Rebel" reviewed by Mark Corroto


Joëlle Léandre is the definition of a force of nature. She is unstoppable, unforgettable, and full of boundless energy. It is the nature of her force that recordings like Lifetime Rebel attempt to capture. These four CDs--plus an interview and solo performance DVD--capture a moment, but just a moment of her inexhaustible spirit, before she moves on. Recorded in 2023, Léandre was honored with a lifetime achievement award during New York's Vision Festival. The performances captured are by diverse and ...

10
Album Review

Ivo Perelman Quartet: Water Music

Read "Water Music" reviewed by John Sharpe


New and old converge on Water Music. Tenor saxophonist Ivo Perelman showcases a quartet with longstanding partner Matthew Shipp on piano together with the fresh rhythm axis of bassist Mark Helias and drummer Tom Rainey. Although they have not played with Perelman before, they are not exactly Johnny-come-latelys. Both have achieved veteran status, not only individually, but also as a team, exemplified by Rainey having fuelled Helias' mighty Open Loose trio since its inception back in the late 1990s.

10
Album Review

Rob Brown Quartet: Oblongata

Read "Oblongata" reviewed by John Sharpe


Although reedman Rob Brown has a string of small group leadership outings to his name, dating back to his first, Breath Rhyme (Silkheart) in 1990, Oblongata may be one of his finest. The 2022 studio session reunites him with some of his most enduring collaborators, the same crew responsible for From Here To Hear (Rogue Art, 2019), as well as an outstanding appearance at the 2019 Vision Festival, namely trombonist Steve Swell, bassist Chris Lightcap and drummer Chad Taylor.

10
Album Review

Matthew Shipp: The Data

Read "The Data" reviewed by Mark Corroto


Music is communication, and jazz, especially jazz improvisation is the purest form of expression of one's intercourse. Think of this in terms of the contrast between Buddy Bolden, who is believed to be the very first jazz musician and Mick Jagger of The Rolling Stones. Bolden began playing Gospel, blues, and marching band music, but his performance was not limited (critics have debated whether he could read music) to the notes on the page. Nonetheless, Bolden improvised, changed tempos, and ...

3
Album Review

Ivo Perelman Quartet: Water Music

Read "Water Music" reviewed by Mark Corroto


Come on a rafting expedition with the Ivo Perelman Quartet. A river excursion is a perfect metaphor for the saxophonist's Water Music. Those familiar with the anomalous and idiosyncratic sounds that emanate from Perelman's saxophone also know he is attuned and reactive to the set and setting of a performance. Just as a trip on a raft is conditioned by the river's flow, gradients, constrictions and any obstacles in its way, the same can be said of Perelman's music.

6
Album Review

Rob Brown: Oceanic

Read "Oceanic" reviewed by John Sharpe


Solo albums for single-line instruments such as the saxophone always present a challenge. One that many but not all rise to meet. For New York City reedman Rob Brown, Oceanic is only the second such document in a career stretching back some 35 years, following an obscure CDR-only release, Silver Sun Afternoon (Nolabel, 2003). Over that period Brown has never quite received his due, despite being one of the first names on the team sheet for a series of bassist ...

5
Album Review

Myra Melford's Fire And Water Quintet: Hear The Light Singing

Read "Hear The Light Singing" reviewed by John Sharpe


Pianist Myra Melford's blue chip Fire And Water quintet assuredly sidesteps second album syndrome. Hear The Light Singing stands very much the equal of the band's superlative eponymous debut. The only change is that Lesley Mok takes Susie Ibarra's place behind the trapset, otherwise the triumvirate completing the starry squad remains Ingrid Laubrock on saxophones, Tomeka Reid on cello and Mary Halvorson on guitar. In the liners Melford explains that the five pieces titled “Insertions" here were ...

14
Album Review

Matthew Shipp & Mark Helias: The New Syntax

Read "The New Syntax" reviewed by John Sharpe


Pianist Matthew Shipp particularly favors the duo format. Among a discography of more than 300 entries are winning combinations with partners as varied as trumpeter Nate Wooley, violist Mat Maneri, and saxophonists Darius Jones, Rob Brown and Evan Parker. But he retains a special fondness for the bass/piano twosome, accounting for multiple meetings with longtime comrade William Parker and the current occupant of the bass chair in his trio, Michael Bisio. To that illustrious roster can also be added his ...

6
Album Review

Art Ensemble Of Chicago: The Sixth Decade: From Paris to Paris

Read "The Sixth Decade: From Paris to Paris" reviewed by John Sharpe


Having first come to international prominence in Paris at the end of the '60s, it seems fitting for the Rogue Art imprint to celebrate the Art Ensemble Of Chicago's progression into their sixth decade in the same city. This double CD documents the performance of an extended AEC at the Sons d'hiver Festival in February 2019. Only reedman & composer Roscoe Mitchell and drummer Famoudou Don Moye survive from the original quintet but, rather than accept this as a limitation, ...


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