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About Woody Shaw

Album Review

Mal Waldron: Mal Waldron Quintets

Read "Mal Waldron Quintets" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Mal Waldron ha attraversato la storia del jazz con discrezione e determinazione. Il suo pianismo, partito da Monk, si è indirizzato su una strada ricca di varianti, che annodava in modo robusto blues e astrazione, con un formidabile istinto ritmico e timbrico. Ne ricordiamo le collaborazioni con Charles Mingus e con Max Roach, con Coltrane e Billie Holiday. Soprattutto con Steve Lacy, insieme al quale ha scandagliato il repertorio di Monk ed Ellington con raro acume e creatività. Il cofanetto ...

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Album Review

Jackie McLean: Demon's Dance

Read "Demon's Dance" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Jackie McLean è stato, oltre che magnifico sassofonista e compositore, un testimone chiave della storia del jazz moderno. Fin dall’adolescenza ha frequentato infatti protagonisti come Charlie Parker, Sonny Rollins, Miles Davis, Charles Mingus, figurando spesso in incisioni significative di questi autori. In veste di leader, ha vissuto molti cambiamenti stilistici e, pur fedele al linguaggio della tradizione legata al blues, ha spesso raccolto le sfide innovative dei fautori del free. Il suo acuminato eloquio al sax alto, spesso associato al ...

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Album Review

Woody Shaw: Stepping Stones: Live at the Village Vanguard

Read "Stepping Stones: Live at the Village Vanguard" reviewed by John Kelman

by John Kelman

It's one thing to play the right note, it's another to get it; one thing to play a phrase, another to get to its essence. With academic jazz education more accessible than ever, countless aspiring musicians are learning its vernacular. But music, like all art, is more than technique--it's an indefinable truth that can only come from complete immersion and commitment. Learn the language, but without getting on the bandstand every night, playing with as many people in as many ...

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Album Review

Woody Shaw: Stepping Stones: Live at the Village Vanguard

Read "Stepping Stones: Live at the Village Vanguard" reviewed by Jim Santella

by Jim Santella

Live straight-ahead jazz doesn't get much better than these two nights when Woody Shaw brought his quintet into the Village Vanguard in August 1978. Trumpet and saxophone improvise with forceful confidence, piano provides the glue that keeps them in a tightly- knit affair, and the rhythmic team of bass and drums exudes a propelling force.

Shaw's inspiring voice introduces “In a Capricornian Way" and provides leadership. His horn leads from a different perspective as the quintet swells with ...

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286

Album Review

Woody Shaw: Live Volume Four

Read "Live Volume Four" reviewed by John Kelman

by John Kelman

Live Volume Four continues HighNote's ongoing series of live recordings from Todd Barkan's Keystone Korner club from the late '70s and early '80s. While trumpeter Woody Shaw never received the accolades he was due during his relatively short life--he died in '89 at the age of 44--these live recordings paint a picture of an innovator who simply was not fully appreciated.

Given the plethora of players informed by the late Miles Davis, Shaw's influence may not be as acute, but ...

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Album Review

Hank Mobley: Thinking of Home

Read "Thinking of Home" reviewed by Richton Guy Thomas

by Richton Guy Thomas

The great jazz critic Leonard Feather once described Hank Mobley as the middleweight champion of the tenor saxophone. Not a name that the novice jazz fan may recognize, Hank Mobley recorded over twenty LPs for Blue Note. Thinking of Home is his last title for Blue Note; released in 1970, this is a fitting farewell session. It features the powerful trumpet playing of Woody Shaw and the exciting pianist Cedar Walton. Hank Mobley's playing has a fire that ...

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Album Review

Hank Mobley: Thinking of Home

Read "Thinking of Home" reviewed by Robert Gilbert

by Robert Gilbert

Hank Mobley’s conclusion to his long and storied association with Blue Note Records has finally made it to CD through the label’s Connoisseur series. Thinking of Home, which was recorded on the last day of July in 1970 but not made available until ten years later, shows that the tenor saxophonist was still building on his trademark hard-bop style. A three-part suite that opens the album features Mobley dabbling with long-form composition and “Justine” has him providing a stimulating framework ...

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