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About Wayne Shorter
Wayne Shorter Quartet at SFJAZZ
by Harry S. Pariser
Wayne Shorter Quartet SFJAZZSpring Season San Francisco, California April 27, 2017 To jazz fans Wayne Shorter needs no introduction. That evening, the first of a three-night stand at SFJAZZ, Director Randall Kline referred to him as possibly the greatest composer in jazz" which is not an overstatement. For Shorter, who was lured from Art Blakey's group by Miles Davis, earned his reputation by burnishing gems such as E.S.P.," Footprints," Sanctuary," Nefertiti and Prince ...
Continue Reading...Wayne Shorter: Adam's Apple
by Greg Simmons
In all the perpetual hubbub surrounding Blue Note records from the 1950s--the aggressive opinions and stratospheric prices--it's sometime easy to forget that the label released really high quality music all the way through the 1960s, and some of the recordings from the later years of the decade are every bit as worthy of attention as the legendary 1500 series dates. Case in point: Wayne Shorter's Adam's Apple, a quartet date recorded in 1966 when Shorter was a mainstay ...
Continue Reading...Wayne Shorter: Speak No Evil – 1964
by Marc Davis
It's hard to imagine a jazz musician who has had more success with more bands than Wayne Shorter. His tenor sax was an essential part of three landmark combos: Art Blakey and the Jazz Messengers (1959-1964), Miles Davis' classic quintet (1964-70) and Weather Report (1971-86)--27 consecutive years of uninterrupted magnificence. In other words, if Shorter had never recorded a single album as a bandleader, he still would be among the greats on jazz's Mount Olympus. But ...
Continue Reading...Miles Davis Quintet: Miles Smiles
by Nenad Georgievski
Without a hint of a doubt, the trumpeter Miles Davis' Second Great Quintet which he led in the mid-'60s rekindled his fire for music resulting in exuberant and adventurous music. Davis was reenergized by his young band which vitality and enthusiasm has made a big difference. Not only did it stretch Miles' boundaries, as the band was taking chances and experimenting, but it also helped him get through a difficult period in his personal life (the deaths of his parents, ...
Continue Reading...Black Market
by Jeff Winbush
As Weather Report returned to the studio to cut their next album the band was yet again in flux. Gone from 1975's Tale Spinnin' line up were percussionist Alyrio Lima and drummer Ndugu Leon Chancler. Zawinul explained the latest comings-and-goings in a 1976 interview, We're always happy with the group, because if we're not happy, we change it. There are a lot of musicians out there in the world. All the people who have played with us are ...
Continue Reading...Album Review
Wayne Shorter: The Blue Note Albums
by Maurizio Zerbo
Cinque ore di musica sublime per immergersi nell'universo shorteriano. Per i palati sopraffini, un'occasione imperdibile per riascoltare alcune delle gemme del catalogo Blue Note. Cosa distingue queste dalle coeve incisioni hard-bop? Come ben testimonia The All Seeing Eye, è il proiettare le più avanzate idee melodiche, armoniche e ritmiche del quintetto davisiano verso atmosfere più sospese e irrisolte, contigue a quelle di Ornette Coleman. Vi si avverte l'anelito a scardinare le regole consolidate, sia pur all'interno della struttura del chorus. ...
Continue Reading...Umbria Jazz 14 - Fra spettacolo e buon jazz
by Libero Farnè
Umbria Jazz 14 Perugia, varie sedi 11-20.07.2014 Lo spettacolo Divertimentificio," Industria del divertimento": orribili neologismi, coniati anni orsono poi caduti in disuso, per denotare una delle vocazioni trainanti dei centri balneari della costa romagnola. Anche Umbria Jazz, per buona parte della sua programmazione, è tesa a creare divertimento e spettacolo, occasioni di eccitazione collettiva e di aggregazione giovanile. Con un'opportuna offerta musicale e con ottimi risultati il festival dà quindi una risposta ...
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