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Jazz Articles about Walt Weiskopf

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Album Review

Walt Weiskopf: Open Road

Read "Open Road" reviewed by Blaine Fallis


"Premonition" was the perfect opening tune on Walt Weiskopf's Open Road album, because it sets the tone. It even matches the album cover...we're going somewhere fast, barely able to quite focus in due to the speed. But it's exciting! Bassist Mike Karn drives the band until 1:45 when he and pianist Peter Zak suddenly drop out, and the duo of Weiskopf and drummer Steve Fidyk keep pushing forward, as if during a high-speed corner two passengers couldn't hold ...

7
Album Review

Walt Weiskopf: Overdrive

Read "Overdrive" reviewed by C. Andrew Hovan


Since making his first two records on the independent Iris label back in the early '90s, Walt Weiskopf has staked a claim as one of the most advanced and iconic tenor saxophonists in jazz. However, even as he went on to record one great record after another for Criss Cross beginning in 1993, Weiskopf remained under the radar of most listeners and seldom even registered on most critics polls. Over the past several years his profile has risen ...

9
Album Review

Walt Weiskopf: Overdrive

Read "Overdrive" reviewed by David A. Orthmann


Here's a proposition for anyone who is about to plunk down their hard earned dollars on Steely Dan's Jamalot Ever After Tour. For a mere fraction of the cost of a ticket you can invest in a copy of Overdrive, the recently released set of original music by Walt Weiskopf, the band's longtime tenor saxophonist. A viable alternative to the pleasures of SD's warhorses, the disc has a “greatest hits" vibe of its own. It's a composite of the dozen ...

14
Album Review

Walt Weiskopf: Overdrive

Read "Overdrive" reviewed by Dan Bilawsky


After a string of well-received dates on the Criss Cross imprint, and a one-off for the Capri label, tenor saxophonist Walt Weiskopf arrives at Posi-Tone with this pleasing sextet date. The music on Overdrive is all original, save for the penultimately-placed cover of Michel Legrand's “What Are You Doing The Rest Of Your Life?," and it affirms Weiskopf's commitment to (mostly) high energy, no-nonsense jazz. With saxophone, vibraphone, guitar, piano, bass, and drums, this band can be ...

Album Review

Walt Weiskopf Quartet: Live at Koger Hall

Read "Live at Koger Hall" reviewed by AAJ Italy Staff


Documenta un concerto del 2008, alla Koger Hall della University of South Carolina, questo Live firmato dal Walt Weiskopf Quartet. Un disco che si snoda attraverso otto brani di media durata, che riescono a catturare l'attenzione di chi li ascolta per la genuinità di un jazz suonato con la giusta grinta, su tempi medio veloci e con una decisa coerenza stilistica. Approccio determinato dalla presenza in primo piano (quasi costante) del leader, che fin dal brano d'apertura “Man of Many ...

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Album Review

Walt Weiskopf: Walt Weiskopf: Quartet Live

Read "Walt Weiskopf: Quartet Live" reviewed by Edward Blanco


A technician with the tenor saxophone, when Walt Weiskopf plays, it's clear that it's him; his voice is sharp, crisp and totally unique. His style is dynamic and comparable, in some respects, to the late jazz icon, Stan Getz.. On Walt Weiskopf: Quartet Live, the tenor saxophonist leads his quartet on what happens to be his very first live recording documenting a concert at the University of South Carolina, celebrating the final night of the bi-annual North American Saxophone Alliance ...

116
Album Review

Walt Weiskopf: Walt Weiskopf: Quartet Live

Read "Walt Weiskopf: Quartet Live" reviewed by Doron Orenstein


Besides being the tenor man onstage with Steely Dan, Walt Weiskopf is first and foremost a prolific solo artist. With over 15 critically acclaimed recordings as a leader, Walt is not one to rest on laurels collected over the course of years, playing alongside legends such as Buddy Rich, Frank Sinatra, Toshiko Akiyoshi, and The Vanguard Jazz Orchestra. As one of jazz music's foremost post-Coltrane voices on the saxophone, Weiskopf's tenor sounds uniquely vocal, almost wailing, and capable of burning ...


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