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John McLaughlin: Liberation Time

by Geno Thackara
Perhaps the biggest success of Liberation Time is that its title feels sincere and not ironic. Such a sentiment could have easily come out as a cute bit of wishful thinking under the restrictions of pandemic life. Being who he is, though, John McLaughlin inevitably finds the value and positivity even in this strange state of affairs. The wonderful thing about music is that you put the headphones on and you are all in the same room," he says in ...
Continue ReadingRandal Clark: Imaginary World

by Jim Worsley
Randal Clark's Imaginary World stretches beyond the conscious boundaries and illuminates the dark corners. It's clear from the onset that it is steeped in jazz tradition with a giant foothold on both rhythmic and melodic foundations. Clark establishes himself early and never lets go. Too often a buoyant blast off can ultimately fade away into the abyss of both the imaginary and conscious recesses of the mind or a once steaming groove can melt into the wallpaper. Even the most ...
Continue ReadingMelody Gardot: Sunset in the Blue - The Deluxe Version

by William H. Snyder
Henri Matisse, the master of the use of color, said, Art should be something like a good armchair in which to rest from physical fatigue." Melody Gardot's Sunset in the Blue: The Deluxe Version shows its mastery, in both the color of its cover design and the execution of its musicianship. Back in the day, Matisse got in trouble with some art critics for his simile. Some listeners might have a similar reaction to Melody's music, but not all. Gardot's ...
Continue ReadingPatitucci, Colaiuta, Cunliffe: Trio

by Jim Worsley
Pianist Bill Cunliffe was asked if he would be interested in doing a trio record with rhythm section legends {John Patitucci and Vinnie Colaiuta. Naturally he said yes, both immediately and excitedly. Right now" was the answer when he asked when. Patitucci and Colaiuta were already set-up in a studio at Le Coq Records, and Cunliffe was already there on other business. This impromptu session was void of any rehearsal or sheet music. They played all standards, all from memory. ...
Continue ReadingThe Jazz All Stars: The Jazz All Stars Volume 1

by Jim Worsley
The gigless times of 2020--the year of the Covid-19 pandemic--could have brought musicians and the industry to their collective knees, gasping for air. Instead, it resulted in more new music than ever before. It filled our lungs with fresh air. It filled our hearts and souls, not to mention our ears. New businesses opening, defying the odds and pursuing their dreams, is a relevant factor. Le Coq Records, emerging in 2020, boldly presents an all-star ensemblefeaturing many of ...
Continue ReadingLyle Workman: Uncommon Measures

by Mike Jacobs
If there's a major takeaway to be had from listening to guitarist Lyle Workman's Uncommon Measures, it's the palpable sense that all of his impressive musical experience has been poured into it. And to that end, Workman certainly doesn't bury the lead. The epic opening track North Star" can single-handedly make sense of Workman's entire decades-long resume. It's a CV that includes working in and with bands (Bourgeois Tagg, Jellyfish, Frank Black), being a hired gun" guitarist (with such icons ...
Continue ReadingMelody Gardot: Sunset in the Blue

by Scott Gudell
Melody Gardot emerged from her own smoky shadows of the mid-2000s as if she were some femme fatale emanating from a film noir movie. The plot twist was that she was the good girl, but it was her body that had been damaged in an auto accident. An extensive recovery followed. Her long, lean cane only reinforced her long, lean looks. The shades added just a touch of mystery. If there was anything positive, it was that she confronted the ...
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