Jazz Articles about Vincent Herring

About Vincent Herring

Album Review

Organist Mike LeDonne's latest recording, Wonderful!, is a labor of love on several levels. Of course, there is love of the music and love of accomplishing something that had not been done before--teaming a gospel choir with jazz quartet. Above all else, there is love for LeDonne's wife, Margaret, and daughter Mary who is disabled but, as LeDonne says, is nonetheless “truly wonderful." LeDonne wrote the album's title song for Mary, wherein he compares her to “a ...

Album Review

Mike LeDonne: Wonderful!

Read "Wonderful!" reviewed by Pierre Giroux

by Pierre Giroux
February 27, 2024

In jazz's rich tapestry, where tradition meets innovations, there emerged a convergence exemplified by the present release Wonderful! with the virtuosic Mike LeDonne's Groover Quartet + Gospel Choir, who embark on a transcendent journey into the heart of gospel- infused jazz. The project is informed by LeDonne's desire to offer a heartfelt tribute to his wife Margaret and daughter Mary to showcase the spirited and varied nature of the disability community. Participating in this harmonious affair are the long-time members ...

Album Review

Mary Stallings: Songs Were Made to Sing

Read "Songs Were Made to Sing" reviewed by Dave Linn

by Dave Linn
June 30, 2023

One of eleven children, Mary Stallings was born in San Francisco in 1939. In her teens, she began singing in San Francisco night clubs and performed with Ben Webster, Earl Hines, Red Mitchell, Teddy Edwards, and Wes Montgomery. Before graduating from high school, she joined R&B singer Louis Jordan's Tympani Five. In the early '60s, she performed with Dizzy Gillespie at both the Black Hawk nightclub and the 1965 Monterey Jazz Festival. Her debut album was Cal Tjader ...

Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Mike Jurkovic

by Mike Jurkovic
February 18, 2023

Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In deciding who best to share Van Gelder's hallowed space with, LeDonne and Alexander brought in the big guns--namely trumpeter Jeremy Pelt, alto saxophonist Vincent ...

Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Pierre Giroux

by Pierre Giroux
February 16, 2023

There was a period back in the middle years of the 20th Century and beyond when All-Star Groups were quite common, including the Buck Clayton All-Stars, Howard Rumsey's Lighthouse All-Stars, and Gene Harris and the Phillip Morris Superband among several other similar aggregations. In today's musical environment, this kind of coming together of high profile musicians is exceedingly rare, primarily driven by cost issues, although availability of the musicians is also a limiting factor. Pianist & organist Mike LeDonne was ...

Album Review

The Heavy Hitters: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Jack Bowers

by Jack Bowers
February 10, 2023

The Heavy Hitters. Hyperbole? A matter of fact? Or simply the name given by co-leaders Mike LeDonne and Eric Alexander to their newly minted sextet. The third statement is true--but so is the second. From pianist LeDonne and tenor saxophonist Alexander to fellow front-liners Jeremy Pelt (trumpet) and Vincent Herring (alto sax) and the Washingtons, Peter on bass and Kenny at the drums, these gentlemen are by any measure heavy hitters. Their first album as a unit ...

Album Review

The Heavy Hitters: Heavy Hitters

Read "Heavy Hitters" reviewed by Troy Dostert

by Troy Dostert
February 6, 2023

The self-titled debut from the Heavy Hitters, pianist Mike LeDonne's latest sextet, has the feel of a tribute album. However, unlike most recordings of that nature, there is no classic repertoire present, as all nine tracks are penned either by LeDonne or his colleague, tenor saxophonist Eric Alexander. Instead, it is a tribute to a sound that LeDonne and partners are aiming for: in this case, that of the iconic Blue Note label's 1950s-60s period, when artists such as Freddie ...