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Jazz Articles about Victor Feldman

1,088
Profile

Victor Feldman - Part 2: From Cannonball to Russia

Read "Victor Feldman - Part 2: From Cannonball to Russia" reviewed by Steven Cerra


Part 1 | Part 2 | Part 3 | Part 4 | Part 5As to the title of this piece, I thought about calling it “Part 2: The Cannonball Years," but since Victor was with Cannonball for only less than a full year, I thought that might be overstating things a bit. I lived in San Francisco for most of the decade of the 1990s. And it was there on March 4, 1999, a typical, foggy San Francisco ...

998
Profile

Victor Feldman - Part 1: The Arrival

Read "Victor Feldman - Part 1: The Arrival" reviewed by Steven Cerra


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Mentioning my name in the same context as that of Gene Lees, the esteemed jazz writer, might be the height of presumption on my part, but in doing so in this instance, I intend to use it only as the basis for a speculative empathy that he and I might have in common. Because of his close and enduring friendship with Bill ...

840
Extended Analysis

Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

Read "Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964" reviewed by Colin Fleming


Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll

Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004

One of the more undervalued phases in Miles Davis' career, the years 1963-64 are typically deemed a fallow period, marked by a few mildly inventive studio creations and scattershot radio broadcasts. Davis' transformations were often stylistic, but this collection puts the bulk ...

937
Extended Analysis

Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

Read "Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964" reviewed by Jim Santella


Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll

Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004

Seven discs paint a pretty good picture of the sound that Miles Davis gave us back then.

Some of the master's mid-'60s material has not been previously issued. As had been the case time and again, the Miles ...

881
Extended Analysis

Seven Steps: The Complete Columbia Recordings, 1963-1964

Read "Seven Steps: The Complete Columbia Recordings, 1963-1964" reviewed by John Kelman


Eagerly anticipated, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 documents the emergence of Miles' second great quintet, featuring saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. It demonstrates, over the course of seven discs and seven hours, how critical each member of that quintet was. As the group coalesces over a period of two years it's tangible how everything falls into place, like a set of tumblers on a complicated lock.

267
Album Review

Victor Feldman: Latinsville!

Read "Latinsville!" reviewed by Chris M. Slawecki


In December 1958, Victor Feldman—pianist, percussionist, and vibes player—began work on a project as a leader for Contemporary Records. He continued work on this project for nearly a year, ultimately recording two different quintets plus a ten-piece unit with contributions from bassists Al McKibbon and Scott LaFaro, soloists Walter Benton (tenor sax), Conte Candoli (trumpet), and Frank Rosolino (trombone), pre- Peanuts pianist Vince Guaraldi, and the best percussion ensemble in the history of jazz: the triple threat of Willie Bobo, ...


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