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Jazz Articles about Tyrone Hill

6
Album Review

Terry Adams: Terrible [Deluxe Edition]

Read "Terrible [Deluxe Edition]" reviewed by Dave Linn


Terry Adams is best known for his work with the seminal band, NRBQ (New Rhythm & Blues Quartet). Their self-titled debut (Columbia, 1969), included Sun Ra's “Rocket Number Nine." The follow-up was a collaboration with early rock legend Carl Perkins called Boppin' The Blues. In 1974 singer, songwriter, and guitarist extraordinaire, Big Al Anderson and drummer Tom Ardolino joined the band. For the next 20 years that lineup thrilled live audiences around the world. In 1994, Anderson (dismayed by the ...

4
Liner Notes

Sun Ra at Inter​-​Media Arts, 1991

Read "Sun Ra at Inter​-​Media Arts, 1991" reviewed by Howard Mandel


On April 10, 1991, the night of this concert at Inter-Media Art Center in Huntington, Long Island, Sun Ra was near the apogee of his earthly transit. Having led his transformative iterations of his Arkestra around the globe for an unlikely if not unimaginable four decades, the visionary composer, keyboardist, conceptualist and cosmologist was, even though in recovery from a stroke, at the peak of his powers, two years from breaking free of his local orbit entirely. He ...

6
Album Review

Sun Ra Arkestra: Live In Kalisz 1986

Read "Live In Kalisz 1986" reviewed by Ian Patterson


In December 1986, the Sun Ra Arkestra performed at the 13th International Jazz Piano Festival in Kalisz. The Arkestra was making its first ever appearance in Poland and the historic occasion was duly recorded for posterity. The tapes, however, languished in a basement, unloved and forgotten, until they were unearthed over three decades later. Thanks to vinyl specialists Lanquidity Records, they have been remastered and released—on striking yellow vinyl—for the first time. The sound quality isn't always perfect—a couple of ...

174
Album Review

Tyrone Hill Quartet: Out of the Box

Read "Out of the Box" reviewed by Derek Taylor


Big bands have had a long history serving as spawning grounds for smaller jazz collectives. Leaders such as Duke Ellington and Count Basie encouraged their players to form into compact groups outside the needs of the larger bands. Curiously, unlike the rosters of other big bands such as the Ellington and Basie Orchestras, the Sun Ra Arkestra’s register rarely parsed down into smaller working combos, except when finances mandated that the entire band be reduced in size. There were rare ...


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