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Jazz Articles about Tony Marino

23
Album Review

Dave Liebman: Earth

Read "Earth" reviewed by Chris M. Slawecki


When saxophonist, composer, and bandleader Dave Liebman groks a musical vision, he dreams big and deep. “In the late 1990s," Liebman recalls, “I embarked on a project to musically depict manifestations of the four natural elements. In 1997 I recorded Water with Pat Metheny, Billy Hart and Cecil McBee; in 2006, I did Air with the late genius engineer Walter Quintus; fast forward to 2016 for Fire featuring Kenny Werner, Jack DeJohnette, and Dave Holland; finally, with my present group ...

14
Album Review

Dave Liebman: Earth

Read "Earth" reviewed by Mike Jurkovic


It's taken over two tumultuous decades for Dave Liebman to fully realize and execute his poetic, elemental suite. Alongside Pat Metheny,Billy Hart, and Cecil McBee, Water: Giver of Life (Arkadia Jazz, 1997) birthed the the long journey. Teaming with violinist/sound engineer Walter Quintus for 2006's Air (Finetunes) led to 2016's free-jazz flame torch with Dave Holland, Kenny Werner, and Jack DeJohnette Fire (Jazzlines.) Wholly cognitive of his music's inert ability to rouse a myriad of cinematic possibilities and ...

137
Album Review

Tony Marino: Broad Street

Read "Broad Street" reviewed by Javier AQ Ortiz


Broad Street is pianist, arranger and composer Tony Marino's fourth self-release. The varied Brazilian and Hispanic material that inspired it is respectfully treated, with energy levels revealing both commitment towards and understanding of their respective sensual and lively natures. It features seven Latinized offerings from Marino and one each from Paquito D' Rivera and Claudio Roditi -who are key personal and intellectual influences.

The quality of the recording, however, is average and Marino himself apparently assembled it in ...

237
Album Review

Dave Liebman: John Coltrane's Meditations

Read "John Coltrane's Meditations" reviewed by AAJ Staff


When it comes seeing how adventurous a person is, John Coltrane's late period is one of the things that separates the men from the boys and the women from the girls. From 1965 until his death in 1967, Trane offered the most atonal of free jazz-and his music became so blistering that even some of his most ardent admirers shy away from his late period. But what frightens others is a challenge that Dave Liebman accepts with this CD, which ...


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