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About Tim Warfield
Instrument: Saxophone, tenor
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by La-Faithia White
The University of North Carolina at Greensboro presented the Miles Davis Jazz Festival which featured the UNCG Jazz Ensemble I with special guest Tim Warfield. UNCG Jazz Ensemble I is regarded as one of the premier jazz ensembles in the nation and the flagship of the Miles Davis Jazz program. The ensemble performs big band arrangements spanning the entire history of jazz, from the 1920's to the modern era. Tim Warfield, a native of York, Pennsylvania began studying the alto ...
read moreTim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of styles proliferated throughout the '50s and '60s, from the cocktail jazz of Milt Buckner to the soulful grooves of “Big" John Patton. But it ...
read moreTerell Stafford: Between Two Worlds
by Neil Duggan
Family is a major theme on Terell Stafford's Between Two Worlds, with compositions dedicated to his daughter, mother and wife. His band has been playing with him so long they must feel like family too. They include tenor and soprano saxophonist Tim Warfield, pianist Bruce Barth, drummer Johnathan Blake and bassist David Wong. In fact, Wong plays with Stafford every week as part of the renowned Vanguard Jazz Orchestra. Percussionist Alex Acuña is the new member of the family.
read moreRodney Whitaker: Oasis: The Music of Gregg Hill
by Jack Bowers
Oasis is the third time around for bassist Rodney Whitaker and music written by fellow Michigander Gregg Hill, following Common Ground (Origin 82780) and Outrospection (Origin 82819). Personnel is the same as on Common Ground (Terell Stafford, trumpet; Tim Warfield, saxophone; Bruce Barth, piano; Dana Hall, drums; Rockelle Fortin, vocals) with Hall and Fortin returning from Outrospection (on which Fortin is listed as Rockelle Whitaker). Hill's compositions are for the most part firmly grounded in customary post-bop ...
read moreTim Warfield: Spherical: Dedicated to Thelonious Sphere Monk
by Andrew Luhn
Thelonious Monk tribute albums are certainly nothing new in the jazz world. As early as 1961, Eddie “Lockjaw" Davis and Johnny Griffin recorded Lookin' at Monk and pianist Bud Powell recorded Portrait of Thelonious. Even while his career was still going strong, Monk's importance as a composer and influence on other jazz musicians was already clear. Today Monk's legendary status as one of jazz's most important figures is still clear. As far as I know, there is no hard data ...
read moreTim Warfield’s All-Star Jazzy Christmas at Tempe Center for the Arts
by Patricia Myers
Tim Warfield's All-Star Jazzy Christmas Tempe Center for the Arts Tempe, Arizona December 20, 2014 A top-level East Coast jazz sextet performed a concert that reinvented holiday-season favorites with jazzy improvisations as part of the monthly Lakeshore Music series. Saxophonist Tim Warfield led a strong contingent that featured trumpeter Terell Stafford, vibraphonist Stefon Harris, pianist Cyrus Chestnut, bassist Rodney Whitaker and drummer Chris Beck, plus guest vocalist Joanna Pascale. The program included traditional, ...
read moreTim Warfield: Inspire Me!
by Dan Bilawsky
Saxophonist Tim Warfield has a lot of irons in the fire. While serving as “artist-in-residence" at Messiah College, attending to his duties as an adjunct faculty member at Temple University, appearing live under his own name and working with high profile artists like trumpeter Terell Stafford, he also found time to deliver three albums in an eleven month span--Tim Warfield's Jazzy Christmas (Self Produced, 2012), Eye Of The Beholder (Criss Cross, 2013) and the record under discussion here; if that's ...
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