Jazz Articles about Tim Armacost

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John Lang: Now Ear This

by Jack Bowers
February 5, 2021

For what it is, bassist John Lang's fourth album, Now Ear This, is quite well done. For jazz fans, the dilemma lies there, precisely in what it is--a series of eleven rock/fusion themes, nine written by Lang, which would be right at home on a smooth jazz/easy listening radio station, for example, but whose jazz content would earn them no more than a tenuous place on any playlist beyond that. Tempos are more or less proximate, as is the steady ...

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Tim Armacost: Time Being

by Luigi Sforza
August 27, 2018

La natura di un fenomeno è data dalla sommatoria di vari fattori, da una parte ci sono gli elementi che lo compongono, caratterizzandone i connotati, dall'altra il modo in cui quelli si combinano, e che ne costituiscono la forma. La capacità del demiurgo, dell'artista, si manifesta nell'abilità di manipolare la materia in modo che l'accostamento delle parti --per quanto riconoscibili o riconducibili a segni e stilemi preesistenti, strutturati e ampiamente usati --porti a risultati nuovi, ovvero ad opere originali e ...

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Tim Armacost: Time Being

by Geno Thackara
October 25, 2017

From the initial trotting bass solo smoothly segueing into a toe-tapping slice of timeless bop, Time Being's opening jaunt makes an introduction fascinatingly tricky and inviting. Those familiar with the wide-ranging saxophonist Tim Armacost, however, know he's got much more still up his sleeve--and that no matter how complicated things get, they'll stay listenable and accessible enough for any taste. The record is his first on Whirlwind Recordings, and it is indeed a whirlwind of clever ideas and rhythmic games: ...

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Tim Armacost: Time Being

by Roger Farbey
March 12, 2017

Tim Armacost may not be the most well-known jazz musician on the planet but he's certainly one of the best. His early life was spent in Tokyo, and Washington, then moving to Los Angeles at the age of 18. He travelled to Amsterdam and India where, in the spirit of The Beatles and John McLaughlin he assimilated much of that country's music. Finally he moved to New York in 1993 where he made his debut recording Fire. For this debut ...

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New York Standards Quartet: Unstandard

by AAJ Italy Staff
March 6, 2012

Unstandard è il secondo album del New York Standards Quartet, fondato dal sassofonista Tim Armacost nell'autunno del 2006. La formazione annovera quattro solidi ed affermati musicisti come David Berkman al piano, Yosuke Inoue al contrabbasso e Gene Jackson alla batteria. Ancora standards? Sì, e non ci stuferemo mai di ascoltarli. D'altronde è questo uno dei lati eccezionali del jazz, il continuo reinventare, riscoprire e realizzare in maniera diversa e, se possibile gradevole, un brano già straconosciuto. Il lavoro del quartetto ...

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New York Standards Quartet: Unstandard

by Larry Taylor
December 12, 2011

It's a pleasure when a group of great jazz players take American standards and reshape them with their own unique stamp. This happens on New York Standards Quartet's Unstandard, where the musical gambit--the direction these musicians take the originals--is often surprising. Pianist David Berkman leads the way, handling arrangements and contributing originals, all the while taking impeccable solos. This is a joint effort, and veteran drummer Gene Jackson is invaluable, impressively powering the pace, aided by bassist Yosuke ...

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Tim Armacost: Rhythm and Transformation

by Matt Merewitz
February 26, 2004

Tim Armacost talks about 'choices [he] made' that determined the path he has taken as a musician. His direction was not always self-evident and its constant evolution has taken him from the US to Japan, to the Netherlands, to India, and back to the US, where has been for the past decade.

In his home base of New York, Armacost can be seen playing regularly with critically acclaimed pianist Bruce Barth, and bassist Ugonna Okegwo. In addition he ...