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Tierney Sutton: Meets Charlier/Sourisse: Talking to the Sun, featuring Serge Merlaud
by Katchie Cartwright
A light choro with a pandeiro beat, a clever text and a rangy melody that winds around itself, ramping up the tempo on the final turn, “Laptop Choro" is the pick hit of Tierney Sutton Meets Charlier/Sourisse: Talking to the Sun. Sutton's lyric, a relatable contemporary tale, offers a litany of complaints about the digital life: wasting an inordinate amount time on hold with insufferable music in order to speak with a software specialist, reboots that cause whatever ...
Continue ReadingBevan Manson featuring Tierney Sutton with The Hollywood Studio Orchestra: Talking to Trees
by Nicholas F. Mondello
Bevan Manson is an artist who has a creative duality. As a pianist, composer/arranger and educator, he's been successful in classical and jazz environments. With Talking to Trees, Manson provides an array of both originals and jazz standards, most with an arboreal tint, as the title indicates. The work is a validation that his pen, guiding the talents of vocalist Tierney Sutton and L.A.'s premium players, can make the familiar fascinating and the novel intriguing. Miles Davis' ...
Continue ReadingTierney Sutton and Tamir Hendelman at the Jazz Forum
by Scott Lichtman
Tierney Sutton and Tamir Hendelman Jazz Forum Tarrytown, NY March 15, 2024 Tierney Sutton and Tamir Hendelman brought an expressive evening of voice and piano to the Jazz Forum in Tarrytown NY, March 15th, 2024. The overarching theme of the performance was “songs about Spring." There's a variety of reasons that every recording Sutton has made in the last decade has been nominated for a “Best Jazz Vocal Album" Grammy. Among these are ...
Continue ReadingTierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. “Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to see with their own eyes," observes Sutton. “Jazz is this theme and variations work, and if the person who's listening is not interested in ...
Continue ReadingLorraine Feather's Language Turns A Witty Phrase
by Ken Dryden
I got to know Lorraine Feather through reviewing several of her CDs, amazed by her gifts as a lyricist and singer, who was equally at home with witty songs and tender ballads. I first met Lorraine when she was performing at the late lamented Manhattan club Danny's Skylight Room with pianist Shelly Berg. We would chat during IAJE conferences and I was delighted when she invited me to write the liner notes for this CD. This release stands the test ...
Continue ReadingChris Walden: Missa Iubileum Aureum: Golden Jubilee Jazz Mass
by Jack Bowers
First things first: there is no doubt that Chris Walden's reverential Missa Iubileum Aureum ("Golden Jubilee Jazz Mass") is beautifully written and wonderfully performed by the LMR Jazz Orchestra, St. Dominick's Schola Cantorum and cantors Kurt Elling and Tierney Sutton. Is it jazz? That is another question, one not so easily answered. While there are elements of jazz, they are incidental and generally overshadowed by the more doctrinal aspects of what is essentially an homage to devotion and piety. And ...
Continue ReadingTierney Sutton: Paris Sessions 2
by Dan Bilawsky
Back at the tail end of 2012, Tierney Sutton found herself in a studio in Epinay Sur Orge, France, working comfortably alongside guitarist Serge Merlaud and bassist Kevin Axt (on acoustic bass guitar). The music they captured, released two years later as the Paris Sessions (BFM, 2014), instantly stood out as the most intimate jewel in the celebrated vocalist's sparkling discography. So it's with joy and a touch of surprise that now, almost a decade after that studio stay defined ...
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