Jazz Articles about Thelonious Monk

like 528

Thelonious Monk: The Columbia Years (1962-1968)

by Jim Santella
June 1, 2001

The first thing you notice about Monk is the clipped phrases and unexpected turns in his compositions. With Charlie Rouse and above average rhythm sidemen, Thelonious Monk always turned heads. This three-disc compilation includes his familiar compositions as well as those not quite so familiar. They’re all fascinating and worthy of dedicated study.

Disc One centers on reissued studio sessions in trio and quartet format. At the piano, Monk thrills with his use of unique tone clusters and devil-may-care keyboard ...

like 261

Thelonious Monk: Thelonius Monk Trio

by David Rickert
April 1, 2001

Ben Franklin reported in his autobiography that he once spent the better part of a day sharpening an old ax, determined to return it to its original luster. He finally gave up, concluding that perhaps “a speckled ax was best after all". By this he meant that sometimes the imperfections inherent in things are what make them worthwhile. Music is no different; sometimes in the quest for perfection, we end up sacrificing character. No one better exemplifies this philosophy than ...

like 410

Thelonious Monk: Complete Prestige Recordings

by Derek Taylor
September 1, 2000

One of the primary incentives of box sets is the promise of previous unreleased material. Their comprehensive nature points facilitates (and often mandates) the inclusion of any and all extant recordings by an artist during a given time frame. Frequently such sweeping attention to discographical detail comes at the cost of playability. Verve’s exhaustive approach to the catalogs of Billie Holiday, Bill Evans and even Bud Powell are perfect cases in point, trading up playability for what sometimes seems like ...

like 411

Thelonious Monk: Complete Prestige Recordings

by Mark Corroto
September 1, 2000

Sometimes I scare myself. Just when I start believing that I haven’t progressed in my jazz record amassing to the designation a ‘collector,’ a box set like The Complete Prestige Recordings comes along and I deem it a ‘must have.’ Let me explain, in our household essential recordings by jazz artists are acquired without guilt (“we don’t have the remastered copy of Kind Of Blue, of course we must get it). While others require either the convoluted logic such as ...

like 170

Thelonious Monk / Sonny Rollins: Thelonius Monk & Sonny Rollins

by Douglas Payne
November 1, 1999

Hard as it is to believe, states this disc's back-cover blurb, “Thelonious Monk was widely dismissed as an eccentric, while many found the young Sonny Rollins's tenor far too aggressive compared to the then-cool norm." As time passed, though, Monk became progressively more Monk-like (and less likely to explore anything outside of his own increasingly familiar repertoire) and Rollins continued to carve out an aggressively individual style of his own. Today, Thelonius Monk & Sonny Rollins seems positively tamed by ...

like 491

Thelonious Monk: Monk Alone: The Complete Columbia Solo Recordings: 1926 - 1968

by C. Michael Bailey
October 1, 1998

Not a Reissue. The venerable Orrin Keepnews informs the liner note reader right off the bat that this two-CD set of solo Monk music is not a reissue. It is comprised of all of the solo piano performances prepared during Monk's association with Columbia. Collected are the solo performances that occurred on otherwise ensemble LPs as well as Solo Monk (47854). I addition, there a 14 previously unreleased performances. A reissue? A compilation? I don't care what it's ...

like 167

Various Artists: Monterey Jazz Festival: Forty Legendary Years

by Chris M. Slawecki
October 1, 1997

In my wilder, more unforgiving days, I might have merely typed up the personnel and set list and submitted only that in review of Monterey Jazz Festival: Forty Legendary Years, and argued to the powers-that-be that if the reader couldn’t comprehend its abundant magnificence of music from the unadorned facts, my descriptive and persuasive prowess would be of slight use.

I must have grown either more wise or more foolish since then.

Make no mistake: Monterey Jazz Festival: Forty Legendary ...