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Jazz Articles about Terry Pollard

8
Radio & Podcasts

Gunhild Carling, Catherine Russell , Milton Nascimento & Esperanza Spalding, Tracy Yang Jazz Orchestra, Celebrating Lyricist Iola Brubeck, Vibist Terry Pollard & More

Read "Gunhild Carling, Catherine Russell , Milton Nascimento & Esperanza Spalding, Tracy Yang Jazz Orchestra, Celebrating Lyricist Iola Brubeck, Vibist Terry Pollard & More" reviewed by Mary Foster Conklin


This broadcast includes new releases from Lake Street Dive, Gunhild Carling, Catherine Russell & Sean Mason, Milton Nascimento & Esperanza Spalding, Tracy Yang Jazz Orchestra and Laura Camara, with birthday shoutouts to lyricist Iola Brubeck, vibraphonist Terry Pollard, Mary Stallings, Noa Fort, Fostina Dixon, Naomi Moon Siegel, Amy Engelhardt, Ben Sidran and Michael Mayo, among others. Happy listening and please support the artists you hear by seeing them live and online. Purchase their music so they can continue to distract, ...

2
Radio & Podcasts

New Releases From Nellie McKay, Aline Homzy, Bellbird, Gaea Schell, Monika Ryan With Birthday Shoutouts To Terry Pollard, Iola Brubeck & More

Read "New Releases From Nellie McKay, Aline Homzy, Bellbird, Gaea Schell, Monika Ryan With Birthday Shoutouts To Terry Pollard, Iola Brubeck & More" reviewed by Mary Foster Conklin


This broadcast includes new releases from Mike Jones, Bellbird, Monika Ryan, Nellie McKay, Gaea Schell and Aline Homzy, with birthday shoutouts to Terry Pollard, Mary Stallings, Lorraine Desmarais, Cecilia Smith, Iola Brubeck and Bill Evans, among others. Thanks for listening and please support the artists you hear by seeing them live and online. Purchase their music so they can continue to distract, comfort, provoke and inspire. Playlist Mike Jones “What a Difference A Day Made" from Are You ...

10
Album Review

Dorothy Ashby: With Strings Attached, 1957-1965

Read "With Strings Attached, 1957-1965" reviewed by John Chacona


Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where virtually none has existed before and established it as a legitimate and expressive vehicle for jazz improvisation at the highest level. Just how brilliantly ...


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