Home » Jazz Articles » Tamir Hendelman

Jazz Articles about Tamir Hendelman

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Album Review

Mark Winkler: Hold On

Read "Hold On" reviewed by Pierre Giroux


Throughout his extensive career, Mark Winkler has been a steadfast presence on the Los Angeles jazz scene, earning a reputation as one of the most versatile and captivating vocalists in contemporary jazz. With Hold On, his 22nd album, Winkler continues to demonstrate that artistic growth and creative curiosity remain central to his work. While many artists with such a prolific discography might be tempted to rest on their laurels, Winkler continues to push forward, creating new material and thoughtfully reimagining ...

22
Album Review

Adrian Galante: Introducing Adrian Galante

Read "Introducing Adrian Galante" reviewed by Jack Bowers


The late Phil Woods used to argue that of all the members of the woodwind family, the clarinet is by far the most difficult to manage, saying it was “designed by six guys who had never met one another." If Australian-born, New York-based clarinetist Adrian Galante has any problems with the instrument, they are in no way apparent on his debut album, Introducing Adrian Galante, wherein listeners are introduced to a talented and versatile young artist whose growth to date ...

5
Album Review

Natalie Jacob: Sooner Or Later

Read "Sooner Or Later" reviewed by Pierre Giroux


Sooner Or Later is jazz vocalist Natalie Jacob's debut release. It is a refreshing addition to the jazz landscape, blending classic Great American Songbook tunes and bossa nova standards. Produced by Grammy Award winner Scotty Barnhart, the album benefits from the contributions of an outstanding ensemble, including Barnhart on trumpet, pianist Tamir Hendelman, guitarist Anthony Wilson, bassist Carlitos Del Puerto, drummer Clayton Cameron and percussionist Kevin Winard. This all-star lineup created a rich backdrop for Jacob's compelling vocal interpretations.

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Album Review

Grace Kelly with Strings: At the Movies

Read "At the Movies" reviewed by Jack Bowers


Saxophonist Grace Kelly, who some years ago graduated from the Child Prodigy class in which she was a prominent member, has entered her third decade by recording for the first time with a string-based orchestra. The theme is At the Movies, and Kelly opens with a James Bond medley and closes with five themes from Walt Disney films. Besides playing soprano, alto, tenor and baritone sax, Kelly further shows her versatility by singing on more than half ...

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Album Review

Jack Jones Featuring Joey DeFrancesco: ArtWork

Read "ArtWork" reviewed by Nicholas F. Mondello


"Those who know, know" happens to be a soon-to-be-overused phrase to describe the hip, the “In," and “the very elite of aware." Now in his Mid-80s, Jack Jones has maintained a stellar, cross-media career, all on a foundation of a once-in-a-lifetime voice. Mel Torme, one not easily prone to hyperbole, called Jones, “the best pure singer in the business." Torme and others in the Vocal Pantheon knew. With ArtWork, Jones joins forces with the late multi-instrumentalist and ...

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Album Review

Jack Jones Featuring Joey DeFrancesco: ArtWork

Read "ArtWork" reviewed by Jack Bowers


If a singer's reputation is so impressive that he or she is able to enlist a full orchestra (with bassist John Clayton conducting) and the late organ maestro Joey DeFrancesco as featured soloist, that is certainly enough to warrant attention. The singer in this instance is two-time Grammy winner Jack Jones, the orchestra an assemblage of some of the Los Angeles area's finest musicians, enlarged by a thirty-member string section. On one hand, Jones remains a smooth ...

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Album Review

Roberta Gambarini: Easy To Love

Read "Easy To Love" reviewed by Richard J Salvucci


In 2007, All About Jazz reviewer Michael Caratti wrote: “This debut outing from Roberta Gambarini sees the Italian-born jazz vocalist pair up with two star-studded rhythm sections and legendary tenor saxophonist James Moody, to present what has to be one of the best vocal jazz albums of the decade. Opening with Cole Porter's classic title track Gambarini's exquisite tone and masterful rhythmic phrasing are immediately on display in the first a capella section. The gradual addition of bass and brushes ...


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