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About Sylvie Courvoisier
Instrument: Piano
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by Hrayr Attarian
Boldly innovative pianist Sylvie Courvoisier and her trio, on the brilliant and emotive D'Agala, interpret nine intimate and impressionistic musical tributes. Each original composition is intricately constructed around motifs inspired by the individual dedicatee and has plenty of room within it for spontaneous expression. For insitance, “Bourgeois's Spider (for Louise Bourgeois)" invokes the famous sculptures with Courvoisier's percussive pianism hovering over the band's percolating rhythms. Piano's single. hesitant notes cascade over the sidemen's darkly shimmering sonic web.
read moreSylvie Courvoisier: D'Agala
by John Sharpe
Swiss-born, NYC-based pianist Sylvie Courvoisier reconvenes the crew which waxed the wonderful Double Windsor (Tzadik, 2014) for equally rewarding results. As one of the most highly sought after improvisers on the New York scene, Courvoisier has been able to pick her collaborators from the cream, making particularly adept choices in bassist Drew Gress and drummer Kenny Wollesen. Her bandmates bring to bear a wealth of experience, not only of the outside territory that Courvoisier so often prospects, but also from ...
read moreSylvie Courvoisier: D'Agala
by Mark Corroto
If you have a pigeonhole into which you would like to place pianist Sylvie Courvoisier's music, maybe stop reading right now. The Swiss-born, now twenty-year native of New York, apportions her many talents to multiple ensembles and musical styles--solo to large ensemble, chamber works, Downtown jazz, flamenco, European classical and improvisation. Needless to say, stagnant is an adjective that could never be applied to her music. D'Agala is her 11th release on Intakt and the second trio recording ...
read moreSylvie Courvoisier Trio: D'Agala
by Troy Dostert
Swiss-born pianist Sylvie Courvoisier has spent close to twenty years in the states honing her distinctive approach to classically-inflected jazz improvisation. Along the way she's worked with a who's-who of leading-edge musicians, including veterans like John Zorn, Evan Parker and Ellery Eskelin, but also the younger generation of avant-gardists such as Mary Halvorson and Nate Wooley. Courvoisier draws from both her conservatory background and her work in the creative jazz world to produce music of a very broad palette. Whether ...
read moreSylvie Courvoisier Trio: Double Windsor
by Vincenzo Roggero
I dieci minuti dell'iniziale title-track valgono da soli il prezzo del biglietto. Non che il resto dello spettacolo sia di secondo piano, ma è in quell'inizio folgorante che riusciamo a cogliere al meglio l'originale vis poetica di Sylvie Courvoisier, pianista di origini svizzere da anni trapiantata a New York. C'è un ostinato sui registri bassi che detta i tempi, certamente, ma è molto di più, perché diventa a sua volta melodia martellante, presenza carsica che affiora e ...
read moreSylvie Courvoisier Trio: Double Windsor
by Henning Bolte
The piano trio is the supreme discipline in jazz. Through rich possibilities, it functions as a strong filter sifting out those few who were and are able to set new standards. What matters is how the three instrumental vertices relate to each other dynamically, harmonically and soundwise to build something coherent, in close dependency. Eventually, each shift at one vertex inevitably triggers shifts by the other two. New York pianist Sylvie Courvoisier, not excessively jazz affined in her ...
read moreSylvie Courvoisier – Mark Feldman Quartet with Scott Colley and Billy Mintz: Birdies For Lulu
by Glenn Astarita
Pianist Sylvie Courvoisier and violinist Mark Feldman are a dynamic duo within the neoteric strategies of modern jazz, coupled with their substantial artistic output. They intersperse classical inferences with shades of folk, avant-garde schemas, and bristling improvisational segments into the big picture. This incarnation of the quartet now features upper-echelon session bassist Scott Colley and venerable drummer Billy Mintz. Essentially, the artists enrich the avant-classical genre by cultivating an undertow framed on swing, bop and concise opuses tinted with the ...
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