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Sun Ra: We Travel the Spaceways/Bad and Beautiful
by Matthew Wuethrich
This Evidence re-issue package, like a large portion of the others, captures different aspects of the late '50s/early '60s Arkestra in transition. The first seven tracks comprise We Travel the Spaceways, recorded in Chicago between 1956 and 1960 at a variety of sessions. The second group of seven tunes were originally released as Bad and Beautiful, and is believed to have been recorded in New York sometime in 1961. Both albums sound relatively tame compared to the Arkestra’s later explorations, ...
Continue Reading...Sun Ra: Holiday for Soul Dance
by Matthew Wuethrich
Holiday for Soul Dance testifies to not only Sun Ra’s originality, but also his courage when making stylistic decisions. This album, believed to be recorded sometime around 1958, casts Ra in the role of the traditionalist as the Arkestra interpret a batch of time-honored (and time-worn) standards. Surprisingly, this role fits better than one might expect. Ra always felt more affinity with Fletcher Henderson and Duke Ellington than he did with the bop and free jazz advocates. Perhaps even more ...
Continue Reading...Sun Ra: Angels and Demons at Play/The Nubians of Plutonia
by Matthew Wuethrich
If you try to track the development of Sun Ra's music on record, you will inevitably run up against numerous difficulties. Both chronologically and stylistically, his oeuvre contains anachronisms, false trails, mistakes and just plain weirdness. Evidence's re-issue package of the two Saturn albums, Angels and Demons at Play/The Nubians of Plutonia represents exactly these problems. Luckily, the detailed liner notes shed light on the confusing chronology while simultaneously informing listeners that what we are hearing is a band in ...
Continue Reading...Sun Ra: The Futuristic Sounds of Sun Ra
by Matthew Wuethrich
Sun Ra stated that he wanted to create otherworldly emotions on this album. These emotions are “disguised as jazz,” to quote one of Ra’s poems. The Futuristic Sounds of Sun Ra, recorded in 1961, consists of a range of simmering, swinging, riffing tunes full of deft counterpoint. On the surface, these tunes show a rather restrained side of Ra and his Arkestra, yet below that surface lurk some unsettling emotions. Some might mistake those unsettling feelings for detachment, or worse, ...
Continue Reading...Sun Ra and His Arkestra: Jazz in Silhouette
by Matthew Wuethrich
In the jazz universe, Sun Ra typically travels in an unknown, distant galaxy of his own. He is on the map, but understood and given his proper significance by only a loyal few. Most know his esoteric philosophising, lavish stage shows, and outward-bound music, but those features only scratch the surface of Ra’s music. Recorded in 1958, Jazz in Silhouette stands as an overlooked masterpiece, a work that shows Ra not as a mere curiosity or backwater galaxy, but as ...
Continue Reading...Sun Ra: The Heliocentric Worlds of Sun Ra, Vol. I
by Matthew Wuethrich
A misconception: Sun Ra played free jazz. Critics and listeners usually lump Ra’s dissonant recordings into the free jazz category for one of two reasons. They either take his aggressive, wild sound textures to be essentially the same as that of other members of the '60s avant-garde; or there is just no good category for Ra. “Free jazz,” thus, becomes the best available label. The latter reason is justifiable, while the former reason is not. Listen closely to The Heliocentric ...
Continue Reading...Sun Ra: Lanquidity
by Matthew Wuethrich
1978’s Lanquidity (now re-issued by Evidence) features a silver and purple cover image of Ra that begs the question: Has Sun Ra made a fusion album? This thought at first seems merely ridiculous, then after further consideration becomes a bit surreal, and then upon hearing becomes downright disturbing. As with any Ra project, a simple description such as “Ra does fusion” serves no justice in truly describing the actual music. Ra was a master at twisting known musical idioms into ...
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